Sargent and Paris explores the early career of American painter John Singer Sargent (1856–1925), from his arrival in Paris in 1874 as a precocious 18-year-old art student through the mid-1880s, when his infamous portrait Madame X was a scandalous success at the Paris Salon. Over the course of one extraordinary decade, Sargent achieved recognition by creating boldly ambitious portraits and figure paintings that pushed the boundaries of conventionality.
Immersed in a cosmopolitan circle of artists, writers, and patrons, Sargent was able to navigate a successful path through the French exhibition system while achieving acclaim and awards. Beyond the portrait studio, he traveled in search of inspiration for his art—finding subjects in Italy, the Netherlands, Spain, and North Africa. This exhibition gathers Sargent’s diverse works from this period to illuminate his path to becoming an artist, which was indelibly shaped by his experiences in the French capital. These visually stunning works provide a compelling view of the Paris art world of the late 19th century.
The iconic Madame X, a beloved highlight of The Met collection, is the culmination of Sargent’s early years in Paris. The exhibition will take an in-depth look at this captivating portrait and the numerous preparatory sketches, and it will be displayed alongside select portraits of Parisiennes by Sargent’s contemporaries.
The exhibition is made possible by The Marguerite and Frank A. Cosgrove Jr. Fund.
Additional support is provided by Bank of America, The Sam and Janet Salz Trust, Gregory Annenberg Weingarten, GRoW @ Annenberg, Jim Breyer, the Aaron I. Fleischman and Lin Lougheed Fund, and Trevor and Alexis Traina.
This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
The exhibition is organized by The Metropolitan Museum of Art, New York, and the Musée d’Orsay, Paris.
The catalogue is made possible by Gregory Annenberg Weingarten, GRoW @ Annenberg and the William Cullen Bryant Fellows of The Metropolitan Museum of Art.
Additional support is provided by Allston Chapman, Anonymous, Robert M. Buxton, Elizabeth and Jean-Marie Eveillard, and Elizabeth Marsteller Gordon.
