Side Chair

American

On view at The Met Fifth Avenue in Gallery 753

With its perfect proportions, elegantly integrated crest and splat design, and unsurpassed carving, this is perhaps the best of all Philadelphia Chippendale chairs. The splat pattern, its dominant figure-eight motif flowing from the crest rail, is a free adaptation from plate 16 of the third edition of Thomas Chippendale's Gentleman and Cabinet-Maker's Director (1762) (see 1982.1133).

Side Chair, Mahogany, Atlantic white cedar, yellow pine; upholstery (modern), American

This image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

Side Chair, Mahogany, Atlantic white cedar, yellow pine; upholstery (modern), American
Side Chair, Mahogany, Atlantic white cedar, yellow pine; upholstery (modern), American
Side Chair, Mahogany, Atlantic white cedar, yellow pine; upholstery (modern), American
Side Chair, Mahogany, Atlantic white cedar, yellow pine; upholstery (modern), American
Side Chair, Mahogany, Atlantic white cedar, yellow pine; upholstery (modern), American
Side Chair, Mahogany, Atlantic white cedar, yellow pine; upholstery (modern), American
Side Chair, Mahogany, Atlantic white cedar, yellow pine; upholstery (modern), American
Side Chair, Mahogany, Atlantic white cedar, yellow pine; upholstery (modern), American
Side Chair, Mahogany, Atlantic white cedar, yellow pine; upholstery (modern), American
Side Chair, Mahogany, Atlantic white cedar, yellow pine; upholstery (modern), American

This artwork is meant to be viewed from right to left. Scroll left to view more.