This plaque illustrates a mythological subject related to the advent of the god Dionysos in Greece. Because the two daughters of King Proitos of Argos refused to recognize his divinity, they were driven mad and committed violent and unseemly acts until they were healed by the seer Melampos. Here, in their madness, they have unpinned their clothes and stand partially naked.
Metropolitan Museum of Art. 1970. Masterpieces of Fifty Centuries. New York: Dutton.
Robertson, Martin and Cambridge University Press. 1975. A History of Greek Art, Vols. 1 and 2. p. 141, pl. 8e, Cambridge, England.
Böhm, Stephanie. 1990. Die "nackte Göttin": zur Ikonographie und Deutung unbekleideter weiblicher Figuren in der frühgriechischen Kunst. pg. 89f, Tafel 34c, Mainz am Rhein: Verlag Philipp von Zabern.
Lexicon Iconographicum Mythologiae Classicae (LIMC). 1994. Vol. 7: Oidipous-Theseus. "Peitho," p. 247, no. 45; "Proitides," p. 523, no. 3, pl. 413, Zürich: Artemis Verlag.
Strouse, Jean and Joan R. Mertens. 2000. "J. Pierpont Morgan: Financier and Collector." Bulletin of the Metropolitan Museum of Art, 57(3): pp. 42–43, fig. 47.
Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 43, pp. 57, 416, New York: The Metropolitan Museum of Art.
Aruz, Joan, Sarah B. Graff, and Yelena Rakic. 2014. Assyria to Iberia at the Dawn of the Classical Age no. 161, p. 293, New York: The Metropolitan Museum of Art.
Lapatin, Kenneth. 2015. Luxus: The Sumptuous Arts of Greece and Rome. no. 147, pp. 12, 194, 262, pl. 149, Los Angeles, CA: J. Paul Getty Museum.
Metropolitan Museum of Art. 2020. ART = Discovering Infinite Connections in Art History. pp. 028, 266, New York: Phaidon Press.
Hemingway, Seán. 2021. How to Read Greek Sculpture. no. 3, pp. 52–53, New York: The Metropolitan Museum of Art.
Williams, Dyfri, Kenneth Lapatin, Nicholaus Dietrich, Judith M. Barringer, Francois Lissarrague, and Edinburgh University Press. 2022. Images at the Crossroads : Media and Meaning in Greek Art, Judith M. Barringer and Francois Lissarrague, eds. pp. 411–12, fig. 18.12, Edinburgh.
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