The recognition of distinct artistic personalities in Cycladic sculpture is based upon recurring systems of proportion and details of execution. The stylization of the human body that is elegant almost to the point of mannerism is characteristic of the Bastis Master.
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Proportion drawing illustrating painted designs preserved on the figure, by Elizabeth Hendrix
Artwork Details
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Title:Marble female figure
Artist:Attributed to the Bastis Master
Period:Early Cycladic II
Date:2600–2400 BCE
Culture:Cycladic
Medium:Marble
Dimensions:H. 24 3/4 in. (62.79 cm)
Classification:Stone Sculpture
Credit Line:Gift of Christos G. Bastis, 1968
Accession Number:68.148
“Said to be from Paros, but more likely to be from Naxos” (Preziosi in Antiquities from the collection of Christos G. Bastis, 1987, p. 121)
[Until 1947, with Nicolas Koutoulakis, Paris]; 1947, purchased by Christos G. Bastis from Nicolas Koutoulakis; acquired in 1968, gift of Christos G. Bastis.
von Bothmer, Dietrich. 1969. "Reports of the Departments." Bulletin of the Metropolitan Museum of Art, 28(2): p. 78.
Rousseau, Theodore. 1970. "Masterpieces of Fifty Centuries." The Metropolitan Museum of Art Bulletin, 29(3): p. 129.
von Bothmer, Dietrich. 1975. "Greek and Roman Art." Notable Acquisitions (Metropolitan Museum of Art), No. 1965/1975: p. 114.
Thimme, Jürgen. 1976. Kunst und Kultur der Kykladeninseln im 3. Jahrtausend v. Chr.: Ausstellung unter d. Patronat des International Council of Museums ICOM im Karlsruher Schloss vom 25. Juni-10. Oktober 1976. no. 166, pp. 465–66, Karlsruhe: Müller.
Badisches Landesmuseum Karlsruhe. 1977. Art and Culture of the Cyclades in the Third Millennium B.C., Brinna Otto and Jürgen Thimme, eds. no. 166
, p. 468, Chicago: University of Chicago Press.
Metropolitan Museum of Art. 1979. Greek Art of the Aegean Islands. no. 15, pp. 58–59, New York: The Metropolitan Museum of Art.
von Bothmer, Dietrich, Bernard V. Bothmer, Pat Getz-Preziosi, Diana Buitron-Oliver, and Andrew Oliver, Jr. 1987. Antiquities from the Collection of Christos G. Bastis, Emma Swan Hall, ed. no. B, pp. 316–17, figs. B1-B4, Mainz on Rhine: Verlag Philipp von Zabern.
Metropolitan Museum of Art. 1987. Greece and Rome. p. 7, New York: The Metropolitan Museum of Art.
Getz-Preziosi, Pat. 1987. Sculptors of the Cyclades: Individual and Tradition in the Third Millennium B.C.. pp. 108–12, 162, fig. 46c, 47b, d, pls. 38, 39, Ann Arbor: University of Michigan Press.
Hendrix, Elizabeth. 1997. "Painted Ladies of the Early Bronze Age." Bulletin of the Metropolitan Museum of Art, 55(3): pp. 11–15, figs. 13–16.
Mertens, Joan R. 1998. "Some Long Thoughts on Early Cycladic Sculpture." Metropolitan Museum Journal, 33: pp. 10–1, fig. 7.
Mertens, Joan R. 1998. "Some Long Thoughts on Early Cycladic Sculpture." Metropolitan Museum Journal, 33: pp. 10–11, fig. 7.
Getz-Preziosi, Pat. 2001. Personal Styles in Early Cycladic Sculpture. p. 177, pls. 77c, 78c, Madison: University of Wisconsin Press.
Mertens, Joan R. 2002. "Cycladic Art in the Metropolitan Museum. Antecedents and Acquisitions." Silent Witnesses: Early Cycladic Art of the Third Millennium BC, Christos G. Doumas, ed. p. 16, fig. f, New York: Alexander S. Onassis Public Benefit Foundation (USA), Inc.
Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 6, pp. 33, 410, New York: The Metropolitan Museum of Art.
Metropolitan Museum of Art. 2017. The Artist Project : What Artists See When They Look at Art. pp. 202–3, New York.
Metropolitan Museum of Art. 2020. ART = Discovering Infinite Connections in Art History. pp. 033, 264, New York: Phaidon Press.
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The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.
