The Artist Project: Carolee Schneemann

Artist Carolee Schneemann reflects on Cycladic female figures in this episode of The Artist Project.
From March 2015 to June 2016, we invited 120 artists—local, national, and global—to choose individual works of art or galleries that sparked their imaginations. In this online series, artists reflect on what art is, what inspires them from across 5,000 years of art, and in so doing, they reveal the power of a museum and The Met.

"They have that sense of fluidity of the islands being interconnected. That's the feeling of the poetry of them."

Artist Carolee Schneemann reflects on Cycladic female figures in this episode of The Artist Project—an online series in which artists respond to works of art in The Met collection.

About the Artist
Carolee Schneemann is an American multidisciplinary artist who works in a wide variety of mediums, including painting, photography, performance art, and installation.

An installation by Carolee Schneemann titled

Carolee Schneemann (American, born 1939)

Cycladic Imprints, 1991–3

Slide projections, motorized violins, quadraphonic sound collage by Malcolm Goldstein, 15 min. loop; 240 × 432 in. (609.6 × 1097.28 cm). Courtesy of the artist © Carolee Schneemann


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Marble female figure, Marble, Cycladic
Cycladic
2700–2600 BCE
Marble female figure, Marble, Cycladic
Cycladic
3200–2800 BCE
Marble head from the figure of a woman, Marble, Cycladic
Cycladic
2700–2500 BCE
Marble female figure, Bastis Master, Marble, Cycladic
Bastis Master
2600–2400 BCE
Upper part of a marble female figure, Marble, Cycladic
Cycladic
2300–2200 BCE
Marble female figure, Marble, Cycladic
Cycladic
2700–2600 BCE
Marble male figure, Marble, Cycladic
Cycladic
2400–2300 BCE or later
Marble female figure, Marble, Cycladic
Cycladic
2300–2200 BCE