Set of Four Mirrors

[William Ockelford Oldman, London, before 1935; sold to Stone]; George Cameron Stone, New York (by 1934–d. November 18, 1935; his bequest to MMA).

New York. The Metropolitan Museum of Art. "Warriors of the Himalayas: Rediscovering the Arms and Armor of Tibet," April 5–July 4, 2006.

Stone, George Cameron. A Glossary of the Construction, Decoration and Use of Arms and Armor in All Countries and in All Times, Together with Some Closely Related Subjects. Portland, ME: Southworth Press, 1934. pp. 53, 56, fig. 68.

Stone, George Cameron. A Glossary of the Construction, Decoration and Use of Arms and Armor in All Countries and in All Times, Together with Some Closely Related Subjects. New York: Jack Brussel, Pub., 1961. pp. 53, 56, fig. 68.

Stone, George Cameron, and Donald J. La Rocca. A Glossary of the Construction, Decoration and Use of Arms and Armor in All Countries and in All Times, Together with Some Closely Related Subjects. Mineola, N.Y.: Dover Publications, 1999. pp. 53, 56, fig. 68.

Olschak, Blanche Christine, and Geshé Thupten Wangyal. Mystic Art of Ancient Tibet. London: Allen and Unwin Ltd., 1973. p. 48.

Newark Museum, Valrae Reynolds, and Amy Heller. Catalogue of the Newark Museum Tibetan collection. Vol. I. Newark, NJ: Newark Museum, 1983. pp. 69–70.

Saunders, Ernest Dale. Mudrā: A Study of Symbolic Gestures in Japanese Buddhist Sculpture. Princeton: Princeton University Press, 1985. pp. 187–88.

La Rocca, Donald J. "An Approach to the Study of Arms and Armour from Tibet." Royal Armouries Yearbook (1999), pp. 127–28, fig. 29.

Lankester, Philip J. "Two Maces from Henry VIII's Arsenal?." Royal Armouries Yearbook (2000), pp. 127–28, fig. 29.

La Rocca, Donald J. Warriors of the Himalayas: Rediscovering the Arms and Armor of Tibet. New York: The Metropolitan Museum of Art, 2006. pp. 14, 52, 126, 130–31, no. 44, ill.

The Met Collection API is where all makers, creators, researchers, and dreamers can now connect to the most up-to-date data and images for more than 470,000 artworks in The Met collection. As part of The Met’s Open Access program, the data is available for unrestricted commercial and noncommercial use without permission or fee.

Learn more