Rome et l'Italie Méridionale -- Promenades et Pèlerinages, Suivis d'une Description Sommaire de la Sicile
Not on view
No image available
Crop your artwork:
Scan your QR code:
Gratefully built with ACNLPatternTool
Gratefully built with ACNLPatternTool
Not on view
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title: Rome et l'Italie Méridionale -- Promenades et Pèlerinages, Suivis d'une Description Sommaire de la Sicile
Author:
Louis de Sivry (French, 19th century)
Engraver:
Walter Robert Brandard (British, 1842–1869)
Engraver:
William Henry Capone (British, active 1832–55)
Engraver:
Ebenezer Challis (British, active 1836–80)
Engraver:
Samuel Fisher (British, 1806–1861)
Engraver:
A. Le Petit (French, active 1829–46)
Engraver:
Thomas Abiel Prior (British, 1809–1886 Calais)
Engraver:
William Radclyffe (British, Birmingham 1783–1855 Birmingham)
Engraver:
James Redaway (British, 1797–1858)
Engraver:
James Sands (British, active 1811–44)
Engraver:
Roberts Sands (British, 1792–1855)
Engraver:
M. J. Starling (British, active 1829–43)
Engraver:
James Tingle (British, 1790–1858/60)
Engraver:
Arthur Willmore (British, Birmingham 1814–1888 London)
Artist:
After Major Richard Irton (British, active 1840–60)
Artist:
After James Duffield Harding (British, Deptford, Kent 1797–1863 Barnes, Surrey)
Artist:
After William Leighton Leitch (British, Glasgow, Scotland 1804–1883 London)
Artist:
After William Henry Bartlett (British, London 1809–1854 at sea)
Artist:
After George D. Thompson (British, died 1870)
Artist:
After Johann Jakob Wolfensberger (Swiss, near Zürich 1797–1850 Zürich)
Publisher:
Berlin-Leprieur
Date: [1843]
Medium: Illustrations: engraving
Dimensions: 9 5/8 × 6 11/16 × 1 3/16 in. (24.5 × 17 × 3 cm)
Classification: Books
Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968
Object Number: 68.665.7
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
