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Man on Horseback, Study of a Man's Head (recto); Head of a Young Woman (verso)

Attributed to Marcello Fogolino Italian
1483–1548
Not on view

Artwork Details

Object Information
  • Title: Man on Horseback, Study of a Man's Head (recto); Head of a Young Woman (verso)
  • Artist: Attributed to Marcello Fogolino (Italian, Vicenza 1483/88–after 1548 Trent)
  • Date: 1483–1548
  • Medium: Pen and brown ink, brush and gray wash (the man on horseback), red chalk (the man's head at upper right) (recto); black chalk on blue-washed paper (verso)
  • Dimensions: 7-9/16 x 7-15/16 in. (19.2 x 20.2 cm)
  • Classification: Drawings
  • Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1961
  • Object Number: 65.136.1
  • Curatorial Department: Drawings and Prints

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Lucretia, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
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Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
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The Head of the Virgin in Three-Quarter View Facing Right, Leonardo da Vinci Italian, Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)
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Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
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Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti Italian, Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
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