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The Holy Family with the Infant Baptist, Saint Elizabeth, and an Attendant Angel

1550–60
Not on view

Artwork Details

Object Information
  • Title: The Holy Family with the Infant Baptist, Saint Elizabeth, and an Attendant Angel
  • Artist: Aurelio Luini (Italian, Luino or Milan ca. 1530–1593 Milan)
  • Date: 1550–60
  • Medium: Pen and brown ink, brush and pale brown wash, on beige paper
  • Dimensions: 6 1/4 x 5in. (15.9 x 12.7cm)
  • Classification: Drawings
  • Credit Line: Bequest of Harry G. Sperling, 1971
  • Object Number: 1975.131.35
  • Curatorial Department: Drawings and Prints

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The Martyrdom of Saint Lawrence, Aurelio Luini Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on light tan paper; squared in red chalk
The Martyrdom of Saint Lawrence
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Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
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Lucretia, Raphael (Raffaello Sanzio or Santi) Italian, Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)
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Jupiter and Juno: Study for the "Furti di Giove" Tapestries, Perino del Vaga (Pietro Buonaccorsi) Italian, Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache
Jupiter and Juno: Study for the "Furti di Giove" Tapestries
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Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
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