A Male and a Female Saint (Joseph of Aramathea? and Saint Catherine of Siena? Adoring the Virgin and Child in Glory (recto); Minerva Bellona with a Victorious Warrior (verso)

Francesco di Maria Italian

Not on view

A Male and a Female Saint (Joseph of Aramathea? and Saint Catherine of Siena? Adoring the Virgin and Child in Glory (recto); Minerva Bellona with a Victorious Warrior (verso), Francesco di Maria (Italian, Naples 1623–1690 Naples), Pen and brown ink, brush and brown wash over black chalk on light brown paper (recto); verso pen and brown ink, brush and brown wash over black chalk highlighted with white

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A Male and a Female Saint (Joseph of Aramathea? and Saint Catherine of Siena? Adoring the Virgin and Child in Glory (recto); Minerva Bellona with a Victorious Warrior (verso), Francesco di Maria (Italian, Naples 1623–1690 Naples), Pen and brown ink, brush and brown wash over black chalk on light brown paper (recto); verso pen and brown ink, brush and brown wash over black chalk highlighted with white
A Male and a Female Saint (Joseph of Aramathea? and Saint Catherine of Siena? Adoring the Virgin and Child in Glory (recto); Minerva Bellona with a Victorious Warrior (verso), Francesco di Maria (Italian, Naples 1623–1690 Naples), Pen and brown ink, brush and brown wash over black chalk on light brown paper (recto); verso pen and brown ink, brush and brown wash over black chalk highlighted with white
A Male and a Female Saint (Joseph of Aramathea? and Saint Catherine of Siena? Adoring the Virgin and Child in Glory (recto); Minerva Bellona with a Victorious Warrior (verso), Francesco di Maria (Italian, Naples 1623–1690 Naples), Pen and brown ink, brush and brown wash over black chalk on light brown paper (recto); verso pen and brown ink, brush and brown wash over black chalk highlighted with white
A Male and a Female Saint (Joseph of Aramathea? and Saint Catherine of Siena? Adoring the Virgin and Child in Glory (recto); Minerva Bellona with a Victorious Warrior (verso), Francesco di Maria (Italian, Naples 1623–1690 Naples), Pen and brown ink, brush and brown wash over black chalk on light brown paper (recto); verso pen and brown ink, brush and brown wash over black chalk highlighted with white

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