The Circumcision

Inscription: Verso: lower center '44' in graphite (20th century handwriting); below 'Andrea Schiavone No. 4015 zj555 + [?]' in graphite (20th century handwriting).

Marking: Lower right unrecognizable blindstamp (a letter in a circle?) - unidentified Collector's Mark (Lugt 1009) (?)

Private Collection, Wurich (acc. to Geissler's 1974 article, III); Katrin Bellinger Kunsthandel, Munich; Private Collection; Vendor: Katrin Bellinger Kunsthandel , Munich

New York. The Metropolitan Museum of Art. "Dürer and Beyond: Central European Drawings in The Metropolitan Museum of Art, 1400–1700," April 3–September 3, 2012.

Terence Mullaly Disegni veronesi del Cinquencento. vol. 32, Venice, Fondazione Cini, 1971, cat. no. 23, ill.

Heinrich Geissler Der Hochaltar im Münster zu Ingolstadt und Hans Mielichs Entwürf Ingolstadt. Die Herzogsstadt, die Universitätsstadt, die Festung. Edited by Theodor Müller, Edited by Wilhelm Reissmüller, vol. 2, Ingolstadt, 1974, fig. no. 16, pp. 164, 167, ill.

Heinrich Geissler Zeichnung in Deutschland: Deutsche Zeichner 1540-1640. Staatsgalerie Stuttgart, Stuttgart, Dec.1, 1979-Feb.17, 1980, cat. no. under A 30, vol. I, p. 32.

Hundert Zeichnungen aus Fünf Jahrhunderten. Sale cata. Galerie Kurt Meissner, Zürich, Zurich, 1984, p. 27, note 5.

Gabriele Wimböck Der Inglostädter Münsteraltar. Arbeitshefte des bayerische Landesamtes für Denkmalpflege, no. 91, Munich, 1998, fig. no. 27, pp. 61, 67, ill.

Stijn Alsteens, Freyda Spira Dürer and Beyond: Central European Drawings in the Metropolitan Museum of Art, 1400-1700 Exh. cat. The Metropolitan Museum of Art, New York, 2012, cat. 41 (entry written by Stijn Alsteens); p. xiv (introduction written by Stijn Alsteens), ill.