English
DonateMembershipTickets

Design for a Chair Seat Cover

ca. 1850–70
Not on view
This small drawing shows a design for a seat cover in the Louis XVI style of artist such as Pierre Ranson (French, Paris 1736-1786 Paris). He was specialized in making designs for textiles, from tapestries to wall covering silks and other examples of upholstery, all decorated in the more delicate style that emerged during the neoclassical period which was characterized by thin bundles and garlands of flowers, trophies with pastoral attributes and pastel colors. As is shown by this design, fifty years later, the style would come in vogue again albeit just one of many. The scale of this design is clearly not true to life and it is not unlikely that this drawing was made for a sample book of an upholsterer, to be shown to the customer as one of many different styles to choose from.

Artwork Details

Object Information
  • Title: Design for a Chair Seat Cover
  • Artist: Anonymous, French, 19th century
  • Date: ca. 1850–70
  • Medium: Pen and ink and watercolor
  • Dimensions: 5 9/16 x 5 11/16 in. (14.2 x 14.5 cm)
  • Classifications: Drawings, Ornament & Architecture
  • Credit Line: Gift of William Rieder, 2009
  • Object Number: 2009.465.6
  • Curatorial Department: Drawings and Prints
More Artwork
Le Progrès, for the Bulletin of Fashion, New York, No. 110, from Modes de Paris, Anonymous, French, 19th century  French, Steel engraving with hand coloring
Anonymous, French, 19th century
Printer Imprimerie Digeon, Paris
February 1859
Eastern Coast of Rügen with Shepherd, Caspar David Friedrich  German, Pen and brown ink, brush and brown wash, over graphite, with white opaque watercolor; partial framing lines in pen and brown-black ink
Caspar David Friedrich
1805–6
Portrait of Ferdinand Lesseps, Anonymous, French, 19th century  French, Etching
(?) Anonymous, French, 19th century
Former Attribution Félix Bracquemond
Sitter Ferdinand Lesseps
1850–1914
The Connoisseur, Honoré Daumier  French, Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
Honoré Daumier
ca. 1860–65
The Ghost of the King Appearing to Hamlet, Horatio and Guards (Hamlet, Act 1, Scene 4), Anonymous, French, 19th century  French, Brush and brown ink, gouache, and wash on blue paper. Pen and black ink framing lines added when mounted.
Anonymous, French, 19th century
Former Attribution Formerly attributed to Anonymous, German, 19th century
Subject William Shakespeare
19th century

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.