With its exquisite palette and elegant scrolling vine design, this tile, one of three corner tiles, once formed part of a sumptuous architectural installation. Inscribed with verses of the Qur'an, the tiles presumably decorated a religious structure, such as a mosque or tomb complex. The inscription that runs along the top of one of these tiles would have continued in the form of a frieze—as can be seen in the series of related tiles on display in the nearby wall case.
H. O. Havemeyer Collection, New York (by 1930–40; gifted to MMA)
New York. The Metropolitan Museum of Art. "Ceramic Art of the Near East," 1931, no 79 or 80.
New York. Hagop Kevorkian Fund Special Exhibitions Gallery. "Persian Tiles," May 4, 1993–January 2, 1994, no. 21d.
Dimand, Maurice S. "The Metropolitan Museum of Art, New York, May 12 to June 28, 1931." In Loan Exhibition of Ceramic Art of the Near East. New York, 1931. no. 79 or 80, p. 19, no ill.
Dimand, Maurice S. "A Gift of Islamic Pottery." Metropolitan Museum of Art Bulletin vol. 36, no. 3 (1941). pp. 70-73.
Carboni, Stefano, and Tomoko Masuya. Persian Tiles. New York: The Metropolitan Museum of Art, 1993. no. 21d, p. 26, ill. (b/w).