Islamic Art galleries at The Met

Islamic Art

About Us

The Met's collection of Islamic art ranges in date from the seventh to the twenty-first century. Its more than 15,000 objects reflect the great diversity and range of the cultural traditions of Islam, with works from as far westward as Spain and Morocco and as far eastward as Central Asia and Indonesia. Comprising both sacred and secular objects, the collection reveals the mutual influence of artistic practices such as calligraphy, and the exchange of motifs such as vegetal ornament (the arabesque) and geometric patterning in both realms.

Our History
Archival photo of display cases

Although the Museum acquired some seals and jewelry from Islamic countries as early as 1874, and a number of Turkish textiles in 1879, it received its first major group of Islamic objects in 1891, as a bequest of Edward C. Moore. Since then, the collection has grown through gifts, bequests, and purchases, as well as through Museum-sponsored excavations at Nishapur, Iran, in 1935–39 and in 1947. Until 1932, when the Department of Near Eastern Art was established, all of these objects were overseen by the Department of Decorative Arts. By 1963, the number of objects had increased to a point that necessitated an official departmental division between the Ancient Near Eastern and the Islamic portions of the collection, and the Department of Islamic Art was founded.

In 2011, after an extensive renovation, the Museum opened fifteen dramatic new Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia. The greatly enlarged and freshly conceived galleries highlight both the diversity and the interconnectedness of the numerous cultures represented, with multiple entryways that allow visitors to approach the galleries—and the art displayed within—from different perspectives.

Read more about the rich history of Islamic art at the Museum.


View More Department Info
Damascus Room, Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
dated 1119 AH/1707 CE
Panel, Wood (fig); mosaic with bone and four different types of wood
second half 8th century
"Akbar With Lion and Calf", Folio from the Shah Jahan Album, Govardhan, Ink, opaque watercolor, and gold on paper
Govardhan
Mir 'Ali Haravi
verso: ca. 1630; recto: ca. 1530–50
Jewelry Elements, Gold sheet; worked, chased, and set  with turquoise, gray chalcedony, and glass
late 14th–16th century
Luster Bowl with Winged Horse, Stonepaste; luster-painted on opaque monochrome glaze
late 12th century
Pair of Minbar Doors, Wood (rosewood and mulberry); carved and inlaid with carved ivory, ebony, and other woods
ca. 1325–30
Panel from a Rectangular Box, Ivory; carved, inlaid with stone with traces of pigment
10th–early 11th century
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi  Iranian, Opaque watercolor, ink, silver, and gold on paper
Abu'l Qasim Firdausi
Qasim ibn 'Ali
ca. 1530
Showing 8 of 120

Featured Collections


Featured

The Latest



A slider containing 10 items.
Press the down key to skip to the last item.