Detail of a calligraphic emblem decorated with flowers

Speaking Objects From the World of Islam

Works of art from the Islamic world are often decorated with calligraphic inscriptions—mostly in the Arabic script—which can be the key to the meaning and function of the object. They bear Qur’anic verses or other religious texts, witty proverbs, mystical poetry and metaphors, visual puzzles, and inventive phrases sometimes referring to the object itself in the first person. Inscribed objects often contain important information about their makers, patrons, beholders, and date of creation. Deciphering and interpreting inscriptions on objects provide a window into the meaning of such works of art within their own historical, cultural, and experiential contexts.

Speaking Objects From the World of Islam is intended to give voice to inscriptions on objects and make them accessible to museum audiences, scholars, students, and researchers. This method works by highlighting each word in a specific color as it is read aloud by a reciter and simultaneously translated. Through short videos and digital applications such as AR and VR, readers and viewers can hear the object speak, recite, or sing!

Listen to the words on these four objects: an inlaid metal pen box from fourteenth century Iran, an epigraphic slip-painted bowl from tenth-century Iran or Central Asia, a medieval tile panel in the form of an architectural niche, and a tughra or insignia of Ottoman Sultan Süleiman the Magnificent.

Inscribed Pen Box

Read by Abdullah Ghouchani

Bowl with Arabic Inscription

Read by Abdullah Ghouchani

Tile Panel in the form of an Architectural Niche

Recited by the late Mahmoud Khalil al-Hussary

Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66)

Read by Mohammad Farsimadan


The foundations of this project in the Islamic Department were first laid by Dr. Abdullah Ghouchani who sadly passed away in 2020. It ultimately came to fruition in a further collaboration between Met/American Institute of Iranian Studies Fellow Dr. Mohammad Farsimadan and the Departments of Islamic Art, Imaging, and Digital Media at The Metropolitan Museum of Art.


Gallery view of the installation, Dialogues: Modern Artists and the Ottoman Past, in the Koç Family Galleries - Carpets, Textiles and the Greater Ottoman World and Arts of the Ottoman Court (14th–20th centuries) depicting a central glass case with Ottoman ceramics in the foreground, and wall cases, carpets and textiles, and modern artworks on the walls in the background
As modern-day Turkey marks its hundredth year, The Met’s Department of Islamic Art celebrates Turkish art and culture. A special installation Dialogues: Modern Artists and the Ottoman Past was on view in the Koç Family Galleries 459 and 460 from October 23, 2023 through December 2, 2024.
November 22, 2023
Aerial view of an excavation
Established in 2019, the Towns of the Karakum project (ToKa) is investigating the landscape and material culture of two walled towns in Turkmenistan.
September 1, 2023
A medieval manuscript richly illustrated with detailed decorative elements in ink, opaque watercolor, and gold on paper.

From West Africa to Southeast Asia: The History of Muhammad al-Jazuli’s Dala’il al-Khayrat Prayer Book.

July 29, 2022

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Inscribed Pen Box, Brass; engraved and inlaid with silver, gold, and black compound
made in early–late 14th century; altered shortly before mid-15th century
Bowl with Arabic Inscription, Earthenware; white slip with black-slip decoration under transparent glaze
10th century
Tile Panel in the form of an Architectural Niche, Hasan ibn `Ali ibn Ahmad  Babavaih  Iranian, Stonepaste; inglaze painted in blue, luster-painted on opaque white glaze, modeled
Hasan ibn `Ali ibn Ahmad Babavaih
first half 14th century
Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66), Ink, opaque watercolor, and gold on paper
ca. 1555–60