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Self-Portrait

1892
Not on view
A close friend and follower of Georges Seurat and a founding member of the Neo-Impressionist movement, Angrand was a master of Conté crayon, preferring to work in its limited palette of black, white, and gray. Here Angrand presents himself, not at all as an artist, but as a bourgeois dandy, impeccably dressed and smoking a cigar. Angrand’s technical ability in this self-portrait is stunning. In the words of an early critic, Angrand’s image seems to emerge from a “luminous mist.” Fellow Neo-Impressionist Paul Signac praised Angrand's crayon drawings: "his drawings are masterpieces. It would be impossible to imagine a better use of white and black. These are the most beautiful drawings, poems of light, of fine composition and execution." Many of the Neo-Impressionists were friends, as evidenced by the numerous extant Conté crayon depictions they made of themselves and of one another.

Artwork Details

Object Information
  • Title: Self-Portrait
  • Artist: Charles Angrand (French, Criquetot-sur-Ouville 1854–1926 Rouen)
  • Date: 1892
  • Medium: Conté crayon (graphite border on all edges) on white laid paper mounted on board
  • Dimensions: 24 x 17 1/2 in. (61 x 44.4 cm)
  • Classification: Drawings
  • Credit Line: Robert Lehman Collection, 1975
  • Object Number: 1975.1.566
  • Curatorial Department: The Robert Lehman Collection
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Emilie Mediz-Pelikan
1895
Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec  French, Lithograph printed in four colors; three sheets of wove paper
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Virgil Reading the Aeneid to Augustus, Livia, and Octavia, Jean Auguste Dominique Ingres  French, Pen and black ink, graphite, brush and gray wash, white gouache heightening, Conté crayon on blue paper
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Édouard Manet, Seated, Holding His Hat, Edgar Degas  French, Graphite and black chalk
Edgar Degas
Sitter Edouard Manet
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