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A room within the Robert Lehman Collection at The Met with red walls displays framed Renaissance religious paintings, a dark ornate chest, and wooden furniture.

The Robert Lehman Collection

The Robert Lehman Collection is one of the most distinguished privately assembled art collections in the United States. Robert Lehman's bequest to The Met, a collection of extraordinary quality and breadth acquired over the course of sixty years, is a remarkable example of twentieth-century American collecting. Spanning seven hundred years of western European art, from the fourteenth to the twentieth centuries, the 2,600 works include paintings, drawings, manuscript illumination, sculpture, glass, textiles, antique frames, maiolica, enamels, and precious jeweled objects.

The collection of approximately three hundred paintings is particularly rich in the field of the Italian Renaissance, notably the Sienese school, as well as early Northern European works. Included in the 750 Old Master drawings ranging from the fifteenth to the twentieth centuries is a significant group of eighteenth-century Venetian works, as well as other distinguished Italian, French, and Northern European examples. The collection is also renowned in several areas of decorative arts: Renaissance maiolica, Venetian glass, and antique frames.

Our History

Robert Lehman's parents, Philip and Carrie Lehman, laid the foundation for the collection around 1905, when they began acquiring works of art for their recently completed townhouse on West 54th Street in New York City. Robert Lehman assembled his collection with scholarly knowledge, astute connoisseurship, and skillful negotiation of the art market. Upon his death in 1969, he bequeathed 2,600 works to The Met with the stipulation that they be exhibited as a private collection, reflecting his belief that "important works of art, privately owned, should be beyond one's own private enjoyment and [that] the public at large should be afforded some means of seeing them." A new wing, erected to display the collection, opened to the public in 1975. The Robert Lehman Wing includes a central skylit gallery surrounded by a series of rooms intended to recreate the Lehman family residence. Velvet wall coverings, draperies, furniture, and rugs evoke the ambience of private interiors and serve as a backdrop for this extraordinary collection.

Read more about the history of the collection (PDF).


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Road in Etten, Vincent van Gogh  Dutch, Chalk, pencil, pastel, watercolor.  Underdrawing in pen and brown ink.
Vincent van Gogh
1881
The Last Supper, Ugolino da Siena (Ugolino di Nerio)  Italian, Tempera and gold on wood
Ugolino da Siena (Ugolino di Nerio)
ca. 1325
Ecstatic Christ, Hans Baldung (called Hans Baldung Grien)  German, Pen and two shades of carbon black ink, traces of black chalk underdrawing
Hans Baldung (called Hans Baldung Grien)
ca. 1510–11
Holy Face, Gerard David  Netherlandish, Tempera and gold leaf on parchment that has been trimmed and laid down on thin walnut
Gerard David
ca. 1485–90
Cottage near the Entrance to a Wood, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).
Rembrandt (Rembrandt van Rijn)
1644
Large Boston Public Garden Sketchbook: The Huntington Avenue Streetcar, Maurice Brazil Prendergast   American, Watercolor over pencil
Maurice Brazil Prendergast
1895–1897
Leisure Time in an Elegant Setting, Pieter de Hooch  Dutch, Oil on canvas
Pieter de Hooch
ca. 1663–65
The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera and gold on wood
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60
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Detail of a painting of a pale-faced woman with pink cheeks and light brown hair against a dark background.
Learn about the artist’s subversive and probing representations of herself and others.
Patricia G. Berman
March 13
A woman with a contemplative expression stares back from a muted, abstract oil portrait. Soft hues of gray, beige, and pink.
Video
Curator Dita Amory, conservator Charlotte Hale, and scholar Patricia Berman explore Helene Schjerfbeck's artistic practice, career, and Nordic legacy.
March 8
Two portraits placed side by side: one realistic painting of a woman and one pale, stylized painting with softer features.
Video
Join Dita Amory, Robert Lehman Curator in Charge, Lehman Collection, and Max Hollein, Marina Kellen French Director and CEO, to virtually explore Seeing Silence: The Paintings of Helene Schjerfbeck.
Dita Amory and Max Hollein
December 18, 2025