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A room within the Robert Lehman Collection at The Met with red walls displays framed Renaissance religious paintings, a dark ornate chest, and wooden furniture.

The Robert Lehman Collection

The Robert Lehman Collection is one of the most distinguished privately assembled art collections in the United States. Robert Lehman's bequest to The Met, a collection of extraordinary quality and breadth acquired over the course of sixty years, is a remarkable example of twentieth-century American collecting. Spanning seven hundred years of western European art, from the fourteenth to the twentieth centuries, the 2,600 works include paintings, drawings, manuscript illumination, sculpture, glass, textiles, antique frames, maiolica, enamels, and precious jeweled objects.

The collection of approximately three hundred paintings is particularly rich in the field of the Italian Renaissance, notably the Sienese school, as well as early Northern European works. Included in the 750 Old Master drawings ranging from the fifteenth to the twentieth centuries is a significant group of eighteenth-century Venetian works, as well as other distinguished Italian, French, and Northern European examples. The collection is also renowned in several areas of decorative arts: Renaissance maiolica, Venetian glass, and antique frames.

Our History

Robert Lehman's parents, Philip and Carrie Lehman, laid the foundation for the collection around 1905, when they began acquiring works of art for their recently completed townhouse on West 54th Street in New York City. Robert Lehman assembled his collection with scholarly knowledge, astute connoisseurship, and skillful negotiation of the art market. Upon his death in 1969, he bequeathed 2,600 works to The Met with the stipulation that they be exhibited as a private collection, reflecting his belief that "important works of art, privately owned, should be beyond one's own private enjoyment and [that] the public at large should be afforded some means of seeing them." A new wing, erected to display the collection, opened to the public in 1975. The Robert Lehman Wing includes a central skylit gallery surrounded by a series of rooms intended to recreate the Lehman family residence. Velvet wall coverings, draperies, furniture, and rugs evoke the ambience of private interiors and serve as a backdrop for this extraordinary collection.

Read more about the history of the collection (PDF).


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Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean Auguste Dominique Ingres  French, Oil on canvas
Jean Auguste Dominique Ingres
1851–53
Adoration of the Shepherds, Francesco di Marco Marmitta da Parma  Emilian, Tempera and gold on parchment
Francesco di Marco Marmitta da Parma
ca. 1500
Erasmus of Rotterdam, Hans Holbein the Younger and Workshop(?) German, Oil on linden panel
Hans Holbein the Younger
ca. 1532
Aquamanile in the Form of Aristotle and Phyllis, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc,<br/>approx. 6% lead, approx. 3% tin)., South Netherlandish
South Netherlandish
late 14th or early 15th century
Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass.  Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany
Façon de Venise, probably south Lowlands or Germany
17th century
Two Young Girls at the Piano, Auguste Renoir  French, Oil on canvas
Auguste Renoir
1892
Madonna and Child, Simone Martini  Italian, Tempera on wood, gold ground
Simone Martini
ca. 1326
The Betrothal of the Virgin, Giovanni Domenico Tiepolo  Italian, Pen and brown ink, brown wash, over black chalk.
Giovanni Domenico Tiepolo
ca. 1770
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Detail of a painting of a pale-faced woman with pink cheeks and light brown hair against a dark background.
Learn about the artist’s subversive and probing representations of herself and others.
Patricia G. Berman
March 13
A woman with a contemplative expression stares back from a muted, abstract oil portrait. Soft hues of gray, beige, and pink.
Video
Curator Dita Amory, conservator Charlotte Hale, and scholar Patricia Berman explore Helene Schjerfbeck's artistic practice, career, and Nordic legacy.
March 8
Two portraits placed side by side: one realistic painting of a woman and one pale, stylized painting with softer features.
Video
Join Dita Amory, Robert Lehman Curator in Charge, Lehman Collection, and Max Hollein, Marina Kellen French Director and CEO, to virtually explore Seeing Silence: The Paintings of Helene Schjerfbeck.
Dita Amory and Max Hollein
December 18, 2025