Dish: The Destruction of the Hosts of Pharaoh
This large oval plate, representing the Destruction of the Hosts of Pharaoh as described in Exodus 13-15, is a superb example of French Renaissance painted enamel. The term "enamel" denotes the technique of enriching metal with the application of glass-like material, not unlike a glaze on ceramics. From antiquity to the fourteenth century, enamel production relied on the application of narrow strips of metal to the surface in order to isolate colors. Painted enamel, perfected in Limoges after decades of experimentation, was a far more complex approach. The resulting image depended on the successful manipulation of the enamel colors with the supporting metal.
Jean de Court, sometimes called the Master I.C., was highly esteemed not only for the fine craftsmanship of his enamels, but as a painter to royalty. He succeeded François Clouet as Court painter to Charles IX (reigned 1556-74). De Court uses a vibrant palette of blue, green, and russet hues to detail the narrative of Moses and the Israelites at left, escaping Pharaoh and his advancing army. The twisted double column of coiling purple which divides the image alludes to the biblical citation, "a pillar of fire and cloud standing between Israel and the Egyptians." As the narrative tells, the Lord dried the Sea to bring the Israelites to safe ground, whereupon Moses "stretched forth his hand over the sea, and the sea returned to its wonted flow…and the Egyptians fled into it, and the Lord routed the Egyptians in the midst of the sea."
Jean de Court, sometimes called the Master I.C., was highly esteemed not only for the fine craftsmanship of his enamels, but as a painter to royalty. He succeeded François Clouet as Court painter to Charles IX (reigned 1556-74). De Court uses a vibrant palette of blue, green, and russet hues to detail the narrative of Moses and the Israelites at left, escaping Pharaoh and his advancing army. The twisted double column of coiling purple which divides the image alludes to the biblical citation, "a pillar of fire and cloud standing between Israel and the Egyptians." As the narrative tells, the Lord dried the Sea to bring the Israelites to safe ground, whereupon Moses "stretched forth his hand over the sea, and the sea returned to its wonted flow…and the Egyptians fled into it, and the Lord routed the Egyptians in the midst of the sea."
Artwork Details
- Title: Dish: The Destruction of the Hosts of Pharaoh
- Artist: Master IC (probably Jean Court) (French, Limoges, active 1614–1627) or
- Artist: Jean Cour (or Court) (French, Limoges, active 1598–1631)
- Date: probably early 17th century
- Medium: Painted enamel on copper, partly gilt.
- Dimensions: 20 11/16 x 15 3/4 in. (52.5 x 40 cm)
- Classification: Enamels
- Credit Line: Robert Lehman Collection, 1975
- Object Number: 1975.1.1232
- Curatorial Department: The Robert Lehman Collection
More Artwork
A slider containing 5 items.
Press the down key to skip to the last item.
Press the down key to skip to the last item.
Jean Limosin
ca. 1605
Jean Limosin
ca. 1605
Jean II Reymond
1615–25
Jean II Reymond
ca. 1615–25
Jacques Goullons
ca. 1645–48
Related Content
Publications
Books, guides, and catalogues published by The Met.
Free to download
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.