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A room within the Robert Lehman Collection at The Met with red walls displays framed Renaissance religious paintings, a dark ornate chest, and wooden furniture.

The Robert Lehman Collection

The Robert Lehman Collection is one of the most distinguished privately assembled art collections in the United States. Robert Lehman's bequest to The Met, a collection of extraordinary quality and breadth acquired over the course of sixty years, is a remarkable example of twentieth-century American collecting. Spanning seven hundred years of western European art, from the fourteenth to the twentieth centuries, the 2,600 works include paintings, drawings, manuscript illumination, sculpture, glass, textiles, antique frames, maiolica, enamels, and precious jeweled objects.

The collection of approximately three hundred paintings is particularly rich in the field of the Italian Renaissance, notably the Sienese school, as well as early Northern European works. Included in the 750 Old Master drawings ranging from the fifteenth to the twentieth centuries is a significant group of eighteenth-century Venetian works, as well as other distinguished Italian, French, and Northern European examples. The collection is also renowned in several areas of decorative arts: Renaissance maiolica, Venetian glass, and antique frames.

Our History

Robert Lehman's parents, Philip and Carrie Lehman, laid the foundation for the collection around 1905, when they began acquiring works of art for their recently completed townhouse on West 54th Street in New York City. Robert Lehman assembled his collection with scholarly knowledge, astute connoisseurship, and skillful negotiation of the art market. Upon his death in 1969, he bequeathed 2,600 works to The Met with the stipulation that they be exhibited as a private collection, reflecting his belief that "important works of art, privately owned, should be beyond one's own private enjoyment and [that] the public at large should be afforded some means of seeing them." A new wing, erected to display the collection, opened to the public in 1975. The Robert Lehman Wing includes a central skylit gallery surrounded by a series of rooms intended to recreate the Lehman family residence. Velvet wall coverings, draperies, furniture, and rugs evoke the ambience of private interiors and serve as a backdrop for this extraordinary collection.

Read more about the history of the collection (PDF).


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Madonna and Child, Simone Martini  Italian, Tempera on wood, gold ground
Simone Martini
ca. 1326
Cottage near the Entrance to a Wood, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).
Rembrandt (Rembrandt van Rijn)
1644
Holy Face, Gerard David  Netherlandish, Tempera and gold leaf on parchment that has been trimmed and laid down on thin walnut
Gerard David
ca. 1485–90
Leisure Time in an Elegant Setting, Pieter de Hooch  Dutch, Oil on canvas
Pieter de Hooch
ca. 1663–65
Ecstatic Christ, Hans Baldung (called Hans Baldung Grien)  German, Pen and two shades of carbon black ink, traces of black chalk underdrawing
Hans Baldung (called Hans Baldung Grien)
ca. 1510–11
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, Lorenzo Monaco (Piero di Giovanni)  Italian, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper.  Some lines retraced in pen and brown ink at a later date., Italian, Florence
Circle of Lorenzo Monaco (Piero di Giovanni)
ca. 1420
Reflection in the Mirror, Henri Matisse  French, Charcoal on paper
Henri Matisse
early 1923
Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
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