A room within the Robert Lehman Collection at The Met with red walls displays framed Renaissance religious paintings, a dark ornate chest, and wooden furniture.

The Robert Lehman Collection

About Us

The Robert Lehman Collection is one of the most distinguished privately assembled art collections in the United States. Robert Lehman's bequest to The Met, a collection of extraordinary quality and breadth acquired over the course of sixty years, is a remarkable example of twentieth-century American collecting. Spanning seven hundred years of western European art, from the fourteenth to the twentieth centuries, the 2,600 works include paintings, drawings, manuscript illumination, sculpture, glass, textiles, antique frames, maiolica, enamels, and precious jeweled objects.

The collection of approximately three hundred paintings is particularly rich in the field of the Italian Renaissance, notably the Sienese school, as well as early Northern European works. Included in the 750 Old Master drawings ranging from the fifteenth to the twentieth centuries is a significant group of eighteenth-century Venetian works, as well as other distinguished Italian, French, and Northern European examples. The collection is also renowned in several areas of decorative arts: Renaissance maiolica, Venetian glass, and antique frames.

Our History

Robert Lehman's parents, Philip and Carrie Lehman, laid the foundation for the collection around 1905, when they began acquiring works of art for their recently completed townhouse on West 54th Street in New York City. Robert Lehman assembled his collection with scholarly knowledge, astute connoisseurship, and skillful negotiation of the art market. Upon his death in 1969, he bequeathed 2,600 works to The Met with the stipulation that they be exhibited as a private collection, reflecting his belief that "important works of art, privately owned, should be beyond one's own private enjoyment and [that] the public at large should be afforded some means of seeing them." A new wing, erected to display the collection, opened to the public in 1975. The Robert Lehman Wing includes a central skylit gallery surrounded by a series of rooms intended to recreate the Lehman family residence. Velvet wall coverings, draperies, furniture, and rugs evoke the ambience of private interiors and serve as a backdrop for this extraordinary collection.

Read more about the history of the collection (PDF).


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Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), Paul Signac  French, Oil on canvas
Paul Signac
1891
Saint Jerome as Scholar, El Greco (Domenikos Theotokopoulos)  Greek, Oil on canvas
El Greco (Domenikos Theotokopoulos)
ca. 1610
Satire on Art Criticism, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and brown ink corrected with white.
Rembrandt (Rembrandt van Rijn)
1644
Cottage near the Entrance to a Wood, Rembrandt (Rembrandt van Rijn)  Dutch, Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).
Rembrandt (Rembrandt van Rijn)
1644
The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera and gold on wood
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60
The Burial of Punchinello, Giovanni Domenico Tiepolo  Italian, Pen and brown ink, brown and yellow wash, over black chalk.
Giovanni Domenico Tiepolo
ca. 1800
Christ Carrying the Cross, El Greco (Domenikos Theotokopoulos)  Greek, Oil on canvas
El Greco (Domenikos Theotokopoulos)
ca. 1577–87
Holy Face, Gerard David  Netherlandish, Tempera and gold leaf on parchment that has been trimmed and laid down on thin walnut
Gerard David
ca. 1485–90
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