A room within the Robert Lehman Collection at The Met with red walls displays framed Renaissance religious paintings, a dark ornate chest, and wooden furniture.

The Robert Lehman Collection

About Us

The Robert Lehman Collection is one of the most distinguished privately assembled art collections in the United States. Robert Lehman's bequest to The Met, a collection of extraordinary quality and breadth acquired over the course of sixty years, is a remarkable example of twentieth-century American collecting. Spanning seven hundred years of western European art, from the fourteenth to the twentieth centuries, the 2,600 works include paintings, drawings, manuscript illumination, sculpture, glass, textiles, antique frames, maiolica, enamels, and precious jeweled objects.

The collection of approximately three hundred paintings is particularly rich in the field of the Italian Renaissance, notably the Sienese school, as well as early Northern European works. Included in the 750 Old Master drawings ranging from the fifteenth to the twentieth centuries is a significant group of eighteenth-century Venetian works, as well as other distinguished Italian, French, and Northern European examples. The collection is also renowned in several areas of decorative arts: Renaissance maiolica, Venetian glass, and antique frames.

Our History

Robert Lehman's parents, Philip and Carrie Lehman, laid the foundation for the collection around 1905, when they began acquiring works of art for their recently completed townhouse on West 54th Street in New York City. Robert Lehman assembled his collection with scholarly knowledge, astute connoisseurship, and skillful negotiation of the art market. Upon his death in 1969, he bequeathed 2,600 works to The Met with the stipulation that they be exhibited as a private collection, reflecting his belief that "important works of art, privately owned, should be beyond one's own private enjoyment and [that] the public at large should be afforded some means of seeing them." A new wing, erected to display the collection, opened to the public in 1975. The Robert Lehman Wing includes a central skylit gallery surrounded by a series of rooms intended to recreate the Lehman family residence. Velvet wall coverings, draperies, furniture, and rugs evoke the ambience of private interiors and serve as a backdrop for this extraordinary collection.

Read more about the history of the collection (PDF).


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The Betrothal of the Virgin, Giovanni Domenico Tiepolo  Italian, Pen and brown ink, brown wash, over black chalk.
Giovanni Domenico Tiepolo
ca. 1770
The Last Supper, Ugolino da Siena (Ugolino di Nerio)  Italian, Tempera and gold on wood
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30
Armorial Plate (tondino): The story of King Midas, Nicola da Urbino  Italian, Maiolica (tin-glazed earthenware)
Nicola da Urbino
ca. 1520–25
The Last Supper, Bernard van Orley  Netherlandish, Wool, silk, silver-gilt thread.
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28
Armorial dish: Supper at the House of Simon the Pharisee, Maestro Giorgio Andreoli  Italian, Maiolica (tin-glazed earthenware)
Maestro Giorgio Andreoli
1528
Madame Roulin and Her Baby, Vincent van Gogh  Dutch, Oil on canvas
Vincent van Gogh
1888
Ecstatic Christ, Hans Baldung (called Hans Baldung Grien)  German, Pen and two shades of carbon black ink, traces of black chalk underdrawing
Hans Baldung (called Hans Baldung Grien)
ca. 1510–11
Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, Jacometto (Jacometto Veneziano)  Italian, Oil on wood; (verso: oil and gold on wood)
Jacometto (Jacometto Veneziano)
ca. 1485–95
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