A room within the Robert Lehman Collection at The Met with red walls displays framed Renaissance religious paintings, a dark ornate chest, and wooden furniture.

The Robert Lehman Collection

About Us

The Robert Lehman Collection is one of the most distinguished privately assembled art collections in the United States. Robert Lehman's bequest to The Met, a collection of extraordinary quality and breadth acquired over the course of sixty years, is a remarkable example of twentieth-century American collecting. Spanning seven hundred years of western European art, from the fourteenth to the twentieth centuries, the 2,600 works include paintings, drawings, manuscript illumination, sculpture, glass, textiles, antique frames, maiolica, enamels, and precious jeweled objects.

The collection of approximately three hundred paintings is particularly rich in the field of the Italian Renaissance, notably the Sienese school, as well as early Northern European works. Included in the 750 Old Master drawings ranging from the fifteenth to the twentieth centuries is a significant group of eighteenth-century Venetian works, as well as other distinguished Italian, French, and Northern European examples. The collection is also renowned in several areas of decorative arts: Renaissance maiolica, Venetian glass, and antique frames.

Our History

Robert Lehman's parents, Philip and Carrie Lehman, laid the foundation for the collection around 1905, when they began acquiring works of art for their recently completed townhouse on West 54th Street in New York City. Robert Lehman assembled his collection with scholarly knowledge, astute connoisseurship, and skillful negotiation of the art market. Upon his death in 1969, he bequeathed 2,600 works to The Met with the stipulation that they be exhibited as a private collection, reflecting his belief that "important works of art, privately owned, should be beyond one's own private enjoyment and [that] the public at large should be afforded some means of seeing them." A new wing, erected to display the collection, opened to the public in 1975. The Robert Lehman Wing includes a central skylit gallery surrounded by a series of rooms intended to recreate the Lehman family residence. Velvet wall coverings, draperies, furniture, and rugs evoke the ambience of private interiors and serve as a backdrop for this extraordinary collection.

Read more about the history of the collection (PDF).


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Mme Vuillard Sewing by the Window, rue Truffaut, Edouard Vuillard  French, Oil on cardboard laid down on panel.
Edouard Vuillard
ca. 1899
Bust of a Man in a Hat Gazing Upward, Martin Schongauer  German, Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash.
Martin Schongauer
ca. 1480–90
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, Lorenzo Monaco (Piero di Giovanni)  Italian, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper.  Some lines retraced in pen and brown ink at a later date., Italian, Florence
Lorenzo Monaco (Piero di Giovanni)
ca. 1420
Ecstatic Christ, Hans Baldung (called Hans Baldung Grien)  German, Pen and two shades of carbon black ink, traces of black chalk underdrawing
Hans Baldung (called Hans Baldung Grien)
ca. 1510–11
Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot  French, Oil on canvas
Camille Corot
1836
The Coronation of the Virgin, Niccolò di Buonaccorso  Italian, Tempera on wood, gold ground
Niccolò di Buonaccorso
ca. 1380
Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, Maestro delle Storie del Pane, Tempera on wood
Maestro delle Storie del Pane
1494(?)
Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top.  Soft paste porcelain plaques from the Sèvres Manufactory.
Multiple artists/makers
ca. 1781–85
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