This exhibition traces the development of European drawing from the Renaissance to the early 20th century through works by celebrated masters such as Leonardo da Vinci, Dürer, Rembrandt, Tiepolo, Ingres, Seurat, and Matisse. Approximately 60 drawings from the Museum's acclaimed Robert Lehman Collection present a dynamic array of styles, techniques, and genres—from panoramic landscapes and compositional studies for mythological and biblical narratives to arresting studies of the human form.
The selection illustrates different facets of the artists' creative processes—from Leonardo's keen anatomical observation in his Study of a Bear, to Dürer's awakening self-consciousness as an artist in his Self-Portrait study, to Rembrandt's reinterpretation of Leonardo's painted masterpiece, The Last Supper. The exhibition is the first to explore Robert Lehman's significant activity as a 20th-century collector by highlighting the full range of his vast and distinguished drawings collection, which numbers more than 700 sheets.
The exhibition is made possible by the Robert Lehman Foundation.
"The Final Days: Five Portraits from Leonardo to Matisse," a Now at The Met blog post by Dita Amory, Curator in Charge, and Alison Mangues Nogueira, Associate Curator, the Robert Lehman Collection
Jean Auguste Dominique Ingres (French, 1780–1867). Study for Raphael and the Fornarina (detail), ca. 1814. Graphite on white wove paper, 10 x 7 3/4 in. (25.4 x 19.7 cm). The Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975 (1975.1.646)