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The Adoration of the Magi, Bartolo di Fredi  Italian, Tempera and gold on wood
Bartolo di Fredi
ca. 1390
The Coronation of the Virgin, Niccolò di Buonaccorso  Italian, Tempera on wood, gold ground
Niccolò di Buonaccorso
ca. 1380
Saint Anthony the Abbot in the Wilderness, Sano di Pietro (Ansano di Pietro di Mencio)  Italian, Tempera and gold on wood
Sano di Pietro (Ansano di Pietro di Mencio)
ca. 1440
The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera and gold on wood
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445
The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera and gold on wood
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60
Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera on wood, gold ground
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455
Madonna and Child, Benvenuto di Giovanni  Italian, Tempera on wood, gold ground
Benvenuto di Giovanni
ca. 1475–85
The Assumption of the Virgin, Bernardo Daddi (possibly with workshop assistance) Italian, Tempera on wood, gold ground
Bernardo Daddi
1337–38
The Nativity, Lorenzo Monaco (Piero di Giovanni)  Italian, Tempera and gold on wood
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10
The Annunciation, Botticelli (Alessandro di Mariano Filipepi)  Italian, Tempera and gold on wood
Botticelli (Alessandro di Mariano Filipepi)
ca. 1490
Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, Jacometto (Jacometto Veneziano)  Italian, Oil on wood; verso: oil and gold on wood
Jacometto (Jacometto Veneziano)
ca. 1485–95
Saints Bartholomew and Simon, Master of Saint Francis  Italian, Tempera on wood, gold ground
Master of Saint Francis
ca. 1272
A Goldsmith in his Shop, Petrus Christus  Netherlandish, Oil on oak panel
Petrus Christus
1449
The Annunciation, Hans Memling  Netherlandish, Oil on panel, transferred to canvas
Hans Memling
1480–89
Margaret of Austria, Jean Hey (called Master of Moulins)  Netherlandish, Oil on oak panel
Jean Hey (called Master of Moulins)
ca. 1490
Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel
Hans Holbein the Younger
ca. 1532
Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn)  Dutch, Oil on canvas
Rembrandt (Rembrandt van Rijn)
1665–67
Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Leisure Time in an Elegant Setting, Pieter de Hooch  Dutch, Oil on canvas
Pieter de Hooch
ca. 1663–65
Christ Carrying the Cross, El Greco (Domenikos Theotokopoulos)  Greek, Oil on canvas
El Greco (Domenikos Theotokopoulos)
ca. 1577–87
Saint Jerome as Scholar, El Greco (Domenikos Theotokopoulos)  Greek, Oil on canvas
El Greco (Domenikos Theotokopoulos)
ca. 1610
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes)  Spanish, Oil on canvas
Goya (Francisco de Goya y Lucientes)
1787–88
Houses on the Achterzaan, Claude Monet  French, Oil on canvas
Claude Monet
1871
Madame Roulin and Her Baby, Vincent van Gogh  Dutch, Oil on canvas
Vincent van Gogh
1888
The Last Supper, Ugolino da Siena (Ugolino di Nerio)  Italian, Tempera and gold on wood
Ugolino da Siena (Ugolino di Nerio)
ca. 1325
Madonna and Child, Simone Martini  Italian, Tempera on wood, gold ground
Simone Martini
ca. 1326
Before Dinner, Pierre Bonnard  French, Oil on canvas
Pierre Bonnard
1924
Sergeant of the Colonial Regiment, Albert Marquet  French, Oil on canvas
Albert Marquet
1906–7
Nude in Front of a Mantel, Balthus (Balthasar Klossowski)  French, Oil on canvas
Balthus (Balthasar Klossowski)
1955
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Italian
Possibly French
1499–1514
Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass.  Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany
Façon de Venise, probably south Lowlands or Germany
17th century

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