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The Robert Lehman Collection

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The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera on wood, gold ground — The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10

The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver, Italian, Rimini — The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35

Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera and gold on wood, Italian, Umbria — Saints Bartholomew and Simon
Master of Saint Francis
1266–75

Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn) Dutch, Oil on canvas — Portrait of Gerard de Lairesse
Rembrandt (Rembrandt van Rijn)
1665–67

Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger Dutch, Oil on canvas — Burgomaster Jan van Duren (1613–1687)
Gerard ter Borch the Younger
ca. 1666–67

Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger Dutch, Oil on canvas — Margaretha van Haexbergen (1614–1676)
Gerard ter Borch the Younger
ca. 1666–67

Christ Carrying the Cross, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas — Christ Carrying the Cross
El Greco (Domenikos Theotokopoulos)
ca. 1577–87

Saint Jerome as Scholar, El Greco (Domenikos Theotokopoulos) Greek, Oil on canvas — Saint Jerome as Scholar
El Greco (Domenikos Theotokopoulos)
ca. 1610

Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

The Martyrdom of Saint Paul, Taddeo Zuccaro Italian, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper. — The Martyrdom of Saint Paul
Taddeo Zuccaro
ca. 1557–58

Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany — Goblet
Façon de Venise, probably south Lowlands or Germany
17th century

Watch, Jacques Goullons French, Case and dial of enameled gold; hand of steel; movement of brass, partly gilded, and steel — Watch
Jacques Goullons
ca. 1645–48

Aquamanile in the Form of Aristotle and Phyllis, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc,<br/>approx. 6% lead, approx. 3% tin)., South Netherlandish — Aquamanile in the Form of Aristotle and Phyllis
South Netherlandish
late 14th or early 15th century

Bust of a Man in a Hat Gazing Upward, Martin Schongauer German, Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash. — Bust of a Man in a Hat Gazing Upward
Martin Schongauer
ca. 1480–90

Standing Cup and Cover Supported by an Enchained Turk, Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint., German, perhaps Frankfurt-am-Main — Standing Cup and Cover Supported by an Enchained Turk
German, perhaps Frankfurt-am-Main
ca. 1705–11

Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. — Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)

Restello, Poplar. Carved, gilt; orangebole, blue and red tempera., Italian, Venice — Restello
Italian, Venice
early 16th century

Self-portrait, Simon Bening Netherlandish, Tempera and gold leaf on parchment — Self-portrait
Simon Bening
1558

The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood — The Adoration of the Magi
Bartolo di Fredi
ca. 1390

The Coronation of the Virgin, Niccolò di Buonaccorso Italian, Tempera on wood, gold ground — The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380

Saint Anthony the Abbot in the Wilderness, Osservanza Master Italian, Tempera and gold on wood — Saint Anthony the Abbot in the Wilderness
Osservanza Master
ca. 1435

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

The Assumption of the Virgin, Bernardo Daddi (possibly with workshop assistance) Italian, Tempera on wood, gold ground — The Assumption of the Virgin
Bernardo Daddi
ca. 1337–39

The Annunciation, Botticelli (Alessandro di Mariano Filipepi) Italian, Tempera and gold on wood — The Annunciation
Botticelli (Alessandro di Mariano Filipepi)
ca. 1485–92

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, Jacometto (Jacometto Veneziano) Italian, Oil on wood; (verso: oil and gold on wood) — Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille
Jacometto (Jacometto Veneziano)
ca. 1485–95

Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, Jacometto (Jacometto Veneziano) Italian, Oil on wood; verso: oil and gold on wood — Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck
Jacometto (Jacometto Veneziano)
ca. 1485–95

The Annunciation, Hans Memling Netherlandish, Oil on panel, transferred to canvas — The Annunciation
Hans Memling
1480–89

Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David Netherlandish, Oil on oak panel — Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David
ca. 1510

Archangel Gabriel; The Virgin Annunciate, Gerard David Netherlandish, Oil on oak panel — Archangel Gabriel; The Virgin Annunciate
Gerard David
ca. 1510

Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel — Erasmus of Rotterdam
Hans Holbein the Younger
ca. 1532

Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot French, Oil on canvas — Diana and Actaeon (Diana Surprised in Her Bath)
Camille Corot
1836

The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood — The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30

The Palace of Westminster, André Derain French, Oil on canvas — The Palace of Westminster
André Derain
1906–1907

Nude in Front of a Mantel, Balthus (Balthasar Klossowski) French, Oil on canvas — Nude in Front of a Mantel
Balthus (Balthasar Klossowski)
1955

Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25

The Right Hand of God Protecting the Faithful against the Demons, Jean Fouquet French, Tempera and gold leaf on parchment — The Right Hand of God Protecting the Faithful against the Demons
Jean Fouquet
ca. 1452–1460

Adoration of the Shepherds, Francesco di Marco Marmitta da Parma Emilian, Tempera and gold on parchment — Adoration of the Shepherds
Francesco di Marco Marmitta da Parma
ca. 1500

Men Shoveling Chairs (Scupstoel), Vranke van der Stockt Netherlandish, Pen and brown ink over traces of black chalk. — Men Shoveling Chairs (Scupstoel)
Vranke van der Stockt
1444–50