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Henri d'Albret (1503–55), King of Navarre, Léonard Limosin French, Enamel, painted on copper and partly gilded, French, Limoges
Henri d'Albret (1503–55), King of Navarre
Léonard Limosin
1556
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Tabernacle of Cherves, Copper (plaques): engraved, scraped, stippled, and gilt; (appliqués): repoussé, chased, engraved, scraped, and gilt; champlevé enamel: medium blue, turquoise, medium green, yellow, red, and white, modern wood mount, French
Tabernacle of Cherves
French
ca. 1220–1230
Reliquary Bust of Saint Yrieix, Silver and gilded silver with rock crystal, gems, and glass, French
Reliquary Bust of Saint Yrieix
French
ca. 1220–40, with later grill
Chasse of Champagnat, Copper: engraved and gilt; champlevé enamel: blue-black, medium blue, turquoise, green, red, and white, French
Chasse of Champagnat
French
ca. 1150
Plaque with Censing Angels, Champlevé enamel, copper gilt, French
Plaque with Censing Angels
French
ca. 1170–80
Chasse with the Crucifixion and Christ in Majesty, Copper: engraved, chiseled, stippled, and gilt; champlevé enamel: dark, medium, and light blue; turquoise, dark and light green, yellow, red, and white; wood core, painted red on exterior, French
Chasse with the Crucifixion and Christ in Majesty
French
ca. 1180–90
The Sibyl Aprippa, Léonard Limosin French, Painted enamel on copper, partly gilt, French, Limoges
The Sibyl Aprippa
Léonard Limosin
probably ca. 1535–40
Diana Hunting and Proserpina in the Underworld, Master I. D. C., Painted enamel on copper, partly gilded and silvered; gilt metal, French, Limoges
Diana Hunting and Proserpina in the Underworld
Master I. D. C.
probably early 17th century
Christ Bearing the Cross, Jean II Pénicaud French, Painted enamel on copper, partly gilt, French, Limoges
Christ Bearing the Cross
Jean II Pénicaud
Valerio Belli (Il Vicentino)
mid-16th century
Orpheus Attacked by the Maenads, Suzanne de Court French, Painted enamel on copper, partly gilt; gilt brass, French, Limoges
Orpheus Attacked by the Maenads
Suzanne de Court
first quarter 17th century
Adoration of the Shepherds, Master K.I.P. French, Painted enamel on copper, partly gilt, French, Limoges
Adoration of the Shepherds
Master K.I.P.
Valerio Belli (Il Vicentino)
mid-16th century
The Sacrifice of Noah, Master K.I.P. French, Painted enamel on copper, partly gilt, French, Limoges
The Sacrifice of Noah
Multiple artists/makers
mid-16th century
Saltcellar with scene of infant harvesters (one of a pair), Pierre Reymond French, Painted enamel on copper, partly gilt, French, Limoges
Saltcellar with scene of infant harvesters (one of a pair)
Pierre Reymond
ca. 1540–45
Saltcellar (one of a pair), Pierre Reymond French, Painted enamel on copper, partly gilt, French, Limoges
Saltcellar (one of a pair)
Pierre Reymond
ca. 1540–45
Candlestick (one of a pair), Master I. C. (probably Jean Court or Jean de Court), Painted enamel on copper, partly gilt, French, Limoges
Candlestick (one of a pair)
Master I. C. (probably Jean Court or Jean de Court)
Heinrich Aldegrever
ca. 1560–70
Candlestick (one of a pair), Master I. C. (probably Jean Court or Jean de Court), Painted enamel on copper, partly gilt, French, Limoges
Candlestick (one of a pair)
Master I. C. (probably Jean Court or Jean de Court)
Heinrich Aldegrever
ca. 1560–70
Angels presenting the arms of Halewyn impaling Van Ghistele, Nardon Pénicaud French, Painted enamel on copper, partly gilt, French, Limoges
Angels presenting the arms of Halewyn impaling Van Ghistele
Nardon Pénicaud
first quarter 16th century
Christ Saying Farewell to His Mother (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
Christ Saying Farewell to His Mother (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
The Betrayal (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
The Betrayal (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
The Agony in the Garden (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
The Agony in the Garden (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
The Crucifixion (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
The Crucifixion (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
The Resurrection (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
The Resurrection (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
The Ascension of Christ (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
The Ascension of Christ (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
The Last Supper (one of seven), Jean II Pénicaud or French, Painted enamel on copper, partly gilt, French, Limoges
The Last Supper (one of seven)
Jean II Pénicaud
Jean III Pénicaud
mid-16th century
Dish, Albert-Louis Dammouse French, Hard-paste porcelain, French, Limoges
Dish
Multiple artists/makers
ca. 1879
Dish, Albert-Louis Dammouse French, Hard-paste porcelain, French, Limoges
Dish
Albert-Louis Dammouse
Haviland & Co.
ca. 1879
Henri II, King of France, Léonard Limosin French, Enamel on copper, partly gilt, French, Limoges
Henri II, King of France
Léonard Limosin
probably ca. 1555–60
Saint Luke, Jean III Pénicaud French, Enamel on copper, French, Limoges
Saint Luke
Jean III Pénicaud
ca. 1550
Saint Mark, Jean III Pénicaud French, Enamel on copper, French, Limoges
Saint Mark
Jean III Pénicaud
ca. 1550
Saint John the Evangelist, Jean III Pénicaud French, Enamel on copper, French, Limoges
Saint John the Evangelist
Jean III Pénicaud
ca. 1550
The Nativity and Circumcision of Christ, Workshop of the Master of the High Foreheads, Painted enamel on copper, partly gilded, French, Limoges
The Nativity and Circumcision of Christ
Workshop of the Master of the High Foreheads
probably early 16th century
The Adoration of the Shepherds, Workshop of the Master of the High Foreheads (Atelier aux Grands Fronts), Painted enamel on copper, partly gilt, French, Limoges
The Adoration of the Shepherds
Workshop of the Master of the High Foreheads
probably early 16th century
Isaac and Rebecca, Suzanne de Court French, Painted enamel on copper, partly gilt, French, Limoges
Isaac and Rebecca
Multiple artists/makers
first quarter 17th century
Portrait of an unidentified gentleman, Léonard Limosin French, Painted enamel on copper, French, Limoges
Portrait of an unidentified gentleman
Léonard Limosin
mid-16th century
Portrait of an unidentified gentleman, Léonard Limosin French, Painted enamel on copper, partly gilt, French, Limoges
Portrait of an unidentified gentleman
Léonard Limosin
mid-16th century
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII)
Master of the Aeneid
probably ca. 1530–35
Vase, Haviland & Co. American and French, Stoneware, clay, gilt, French, Limoges
Vase
Haviland & Co.
Ernest Chaplet
1882–86
Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Departs from Carthage (Aeneid, Book IV)
Master of the Aeneid
ca. 1530–35
The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35