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Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Reliquary Bust of Saint Yrieix, Silver and gilded silver with rock crystal, gems, and glass, French
Reliquary Bust of Saint Yrieix
French
ca. 1220–40, with later grill
Chasse of Champagnat, Champlevé enamel on gilded copper, French
Chasse of Champagnat
French
ca. 1150
Tabernacle of Cherves, Champlevé enamel on gilded copper, French
Tabernacle of Cherves
French
ca. 1220–1230
Plaque with Censing Angels, Champlevé enamel and gilded copper, French
Plaque with Censing Angels
French
ca. 1170–80
Henri d'Albret (1503–55), King of Navarre, Léonard Limosin French, Enamel, painted on copper and partly gilded, French, Limoges
Henri d'Albret (1503–55), King of Navarre
Léonard Limosin
1556
Chasse with the Crucifixion and Christ in Majesty, Gilded copper and champlevé enamel, French
Chasse with the Crucifixion and Christ in Majesty
French
ca. 1180–90
The Annunciation, Master of the Triptych of Louis XII, Painted enamel on copper, partly gilt, French, Limoges
The Annunciation
Enameler Workshop of Master of the Triptych of Louis XII
probably early 16th century
The Adoration of the Shepherds, Workshop of the Master of the High Foreheads (Atelier aux Grands Fronts), Painted enamel on copper, partly gilt, French, Limoges
The Adoration of the Shepherds
Workshop of the Master of the High Foreheads
probably early 16th century
The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35
Diana Hunting and Proserpina in the Underworld, Master I. D. C., Painted enamel on copper, partly gilded and silvered; gilt metal, French, Limoges
Diana Hunting and Proserpina in the Underworld
Enameler Master I. D. C.
probably early 17th century
Orpheus Attacked by the Maenads, Suzanne de Court French, Painted enamel on copper, partly gilt; gilt brass, French, Limoges
Orpheus Attacked by the Maenads
Enameler Suzanne de Court
first quarter 17th century
The Nativity and Circumcision of Christ, Workshop of the Master of the High Foreheads, Painted enamel on copper, partly gilded, French, Limoges
The Nativity and Circumcision of Christ
Enameler Workshop of the Master of the High Foreheads
probably early 16th century
Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
Adoration of the Shepherds, Master K.I.P. French, Painted enamel on copper, partly gilt, French, Limoges
Adoration of the Shepherds
Enameler Master K.I.P.
Composition after a medal by Valerio Belli (Il Vicentino)
mid-16th century
The Sacrifice of Noah, Master K.I.P. French, Painted enamel on copper, partly gilt, French, Limoges
The Sacrifice of Noah
Enameler Master K.I.P.
Based on engraving by Marco Dente
After a fresco in the Vatican logia by the Workshop of Raphael (Raffaello Sanzio or Santi)
mid-16th century
Saltcellar with scene of infant harvesters (one of a pair), Pierre Reymond French, Painted enamel on copper, partly gilt, French, Limoges
Saltcellar with scene of infant harvesters (one of a pair)
Enameler Attributed to Pierre Reymond
ca. 1540–45
Saltcellar (one of a pair), Pierre Reymond French, Painted enamel on copper, partly gilt, French, Limoges
Saltcellar (one of a pair)
Enameler Maker: Pierre Reymond Pierre Reymond
ca. 1540–45
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII)
Master of the Aeneid
probably ca. 1530–35
The Annunciation, Nardon Pénicaud French, Painted enamel on copper, partly gilt, French, Limoges
The Annunciation
Nardon Pénicaud
ca. 1510–20
Portrait of an unidentified gentleman, Léonard Limosin French, Painted enamel on copper, French, Limoges
Portrait of an unidentified gentleman
Léonard Limosin
mid-16th century
Portrait of an unidentified gentleman, Léonard Limosin French, Painted enamel on copper, partly gilt, French, Limoges
Portrait of an unidentified gentleman
Léonard Limosin
mid-16th century
Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35
Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Departs from Carthage (Aeneid, Book IV)
Master of the Aeneid
ca. 1530–35
Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35
The Sibyl Aprippa, Léonard Limosin French, Painted enamel on copper, partly gilt, French, Limoges
The Sibyl Aprippa
Workshop of Léonard Limosin
probably ca. 1535–40
Christ Bearing the Cross, Jean II Pénicaud French, Painted enamel on copper, partly gilt, French, Limoges
Christ Bearing the Cross
Enameler Jean II Pénicaud
After a medal by Valerio Belli (Il Vicentino)
mid-16th century
Vase, Haviland & Co. American and French, Stoneware, clay, gilt, French, Limoges
Vase
Manufactory Haviland & Co.
Factory director Under the technical direction of Ernest Chaplet
1882–86
Angels presenting the arms of Halewyn impaling Van Ghistele, Nardon Pénicaud French, Painted enamel on copper, partly gilt, French, Limoges
Angels presenting the arms of Halewyn impaling Van Ghistele
Enameler Attributed to the Workshop of Nardon Pénicaud
first quarter 16th century
Dish, Albert-Louis Dammouse French, Hard-paste porcelain, French, Limoges
Dish
Designer Design attributed to Albert-Louis Dammouse
Factory Haviland & Co.
Purveyor Davis Collamore and Company
ca. 1879
Dish, Albert-Louis Dammouse French, Hard-paste porcelain, French, Limoges
Dish
Designer Design attributed to Albert-Louis Dammouse
Factory Haviland & Co.
ca. 1879
Henri II, King of France, Léonard Limosin French, Enamel on copper, partly gilt, French, Limoges
Henri II, King of France
Enameler Léonard Limosin
probably ca. 1555–60
Saint Matthew, Jean III Pénicaud French, Enamel on copper, French, Limoges
Saint Matthew
Enameler Attributed to Jean III Pénicaud
ca. 1550
Candlestick (one of a pair), Master I. C. (probably Jean Court or Jean de Court), Painted enamel on copper, partly gilt, French, Limoges
Candlestick (one of a pair)
Master I. C. (probably Jean Court or Jean de Court)
Engraver After engravings by Heinrich Aldegrever
ca. 1560–70
Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI)
Master of the Aeneid
ca. 1530–35
Casket with scenes of Genesis, Suzanne de Court French, Painted enamel on copper, partly gilt; silver mounts, French, Limoges
Casket with scenes of Genesis
Enameler Suzanne de Court
Engraver Based on a series of engravings by Etienne Delaune
first quarter 17th century
Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II)
Master of the Aeneid
probably ca. 1530–35
Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges
Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35
Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges
Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35