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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

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Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt. — Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century

Chasse of Champagnat, Copper: engraved and gilt; champlevé enamel: blue-black, medium blue, turquoise, green, red, and white, French — Chasse of Champagnat
French
ca. 1150

Plaque with Censing Angels, Champlevé enamel, copper gilt, French — Plaque with Censing Angels
French
ca. 1170–80

Reliquary Bust of Saint Yrieix, Silver and gilded silver with rock crystal, gems, and glass, French — Reliquary Bust of Saint Yrieix
French
ca. 1220–40, with later grill

Tabernacle of Cherves, Copper (plaques): engraved, scraped, stippled, and gilt; (appliqués): repoussé, chased, engraved, scraped, and gilt; champlevé enamel: medium blue, turquoise, medium green, yellow, red, and white, modern wood mount, French — Tabernacle of Cherves
French
ca. 1220–1230

Henri d'Albret (1503–55), King of Navarre, Léonard Limosin French, Enamel, painted on copper and partly gilded, French, Limoges — Henri d'Albret (1503–55), King of Navarre
Léonard Limosin
1556

Chasse with the Crucifixion and Christ in Majesty, Copper: engraved, chiseled, stippled, and gilt; champlevé enamel: dark, medium, and light blue; turquoise, dark and light green, yellow, red, and white; wood core, painted red on exterior, French — Chasse with the Crucifixion and Christ in Majesty
French
ca. 1180–90

Plate, F. B. M. American, Porcelain, American — Plate
F. B. M.
Haviland & Co.
ca. 1885–87

Plate, L. T. Lloyde American, Porcelain, overglaze enamel decoration, American — Plate
Multiple artists/makers
ca.1908

Plate, Anna B. Leonard American, Porcelain, overglaze enamel decoration and gilding, American — Plate
Anna B. Leonard
J. Pouyat
ca. 1903

Plate, Maud Mason American, Porcelain, overglaze enamel decoration, American — Plate
Maud Mason
Haviland & Co.
ca. 1904

Plate, Anna B. Leonard American, Porcelain, overglaze luster decoration, American — Plate
Anna B. Leonard
T & V
ca. 1899–1903

Plate, William Lycett Studios American, Porcelain, American — Plate
William Lycett Studios
Haviland & Co.
1883–1909

The Adoration of the Shepherds, Workshop of the Master of the High Foreheads (Atelier aux Grands Fronts), Painted enamel on copper, partly gilt, French, Limoges — The Adoration of the Shepherds
Workshop of the Master of the High Foreheads
probably early 16th century

The Annunciation, Nardon Pénicaud French, Painted enamel on copper, partly gilt, French, Limoges — The Annunciation
Nardon Pénicaud
ca. 1510–20

Portrait of an unidentified gentleman, Léonard Limosin French, Painted enamel on copper, French, Limoges — Portrait of an unidentified gentleman
Léonard Limosin
mid-16th century

Portrait of an unidentified gentleman, Léonard Limosin French, Painted enamel on copper, partly gilt, French, Limoges — Portrait of an unidentified gentleman
Léonard Limosin
mid-16th century

Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Aeneas Departs from Carthage (Aeneid, Book IV), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Departs from Carthage (Aeneid, Book IV)
Master of the Aeneid
ca. 1530–35

The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

The Sibyl Aprippa, Léonard Limosin French, Painted enamel on copper, partly gilt, French, Limoges — The Sibyl Aprippa
Léonard Limosin
probably ca. 1535–40

Christ Bearing the Cross, Jean II Pénicaud French, Painted enamel on copper, partly gilt, French, Limoges — Christ Bearing the Cross
Jean II Pénicaud
Valerio Belli (Il Vicentino)
mid-16th century

Saltcellar with scene of infant harvesters (one of a pair), Pierre Reymond French, Painted enamel on copper, partly gilt, French, Limoges — Saltcellar with scene of infant harvesters (one of a pair)
Pierre Reymond
ca. 1540–45

Saltcellar (one of a pair), Pierre Reymond French, Painted enamel on copper, partly gilt, French, Limoges — Saltcellar (one of a pair)
Pierre Reymond
ca. 1540–45

Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II)
Master of the Aeneid
probably ca. 1530–35

Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI)
Master of the Aeneid
ca. 1530–35

Christ Delivered to the People, Suzanne de Court French, Painted enamel on copper, partly gilded and silvered, French, Limoges — Christ Delivered to the People
Suzanne de Court
late 16th–early 17th century

Isaac and Rebecca, Suzanne de Court French, Painted enamel on copper, partly gilt, French, Limoges — Isaac and Rebecca
Multiple artists/makers
first quarter 17th century

Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII)
Master of the Aeneid
probably ca. 1530–35

The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II)
Master of the Aeneid
ca. 1530–35

Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX)
Master of the Aeneid
ca. 1530–35

Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III), Master of the Aeneid, Painted enamel on copper, partly gilt, French, Limoges — Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III)
Master of the Aeneid
ca. 1530–35

Diana Hunting and Proserpina in the Underworld, Master I. D. C., Painted enamel on copper, partly gilded and silvered; gilt metal, French, Limoges — Diana Hunting and Proserpina in the Underworld
Master I. D. C.
probably early 17th century

Orpheus Attacked by the Maenads, Suzanne de Court French, Painted enamel on copper, partly gilt; gilt brass, French, Limoges — Orpheus Attacked by the Maenads
Suzanne de Court
first quarter 17th century

Adoration of the Shepherds, Master K.I.P. French, Painted enamel on copper, partly gilt, French, Limoges — Adoration of the Shepherds
Master K.I.P.
Valerio Belli (Il Vicentino)
mid-16th century

The Sacrifice of Noah, Master K.I.P. French, Painted enamel on copper, partly gilt, French, Limoges — The Sacrifice of Noah
Multiple artists/makers
mid-16th century

Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V), Master of the Aeneid, Painted enamel on copper, partly gilded, French, Limoges — Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V)
Master of the Aeneid
ca. 1530–35