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Saint Michael Presenting a Donor to Christ as Salvator Mundi

Southern Netherlands Southern Netherlands
ca. 1400–1410
Not on view
This miniature from an unidentified manuscript is stylistically comparable to a group of works thought to have been produced in Bruges in the late fourteenth and early fifteenth centuries. While the depiction of Christ as "Salvator Mundi" (Savior of the World) was popular in parts of the Netherlands at the time, the presence of Saint Michael and a donor in this leaf—alluding to the Last Judgment—evidently is unique. The palette and the arrangement of figures are carefully calibrated: Saint Michael’s bright red shield plays a pivotal role, protecting the donor from the toothy jaws of the dragon, establishing his position in the background,
and underscoring his suppliant status before Christ.

Artwork Details

Object Information
  • Title: Saint Michael Presenting a Donor to Christ as Salvator Mundi
  • Artist: Southern Netherlands Bruges (?)
  • Date: ca. 1400–1410
  • Culture: Southern Netherlands, probably Bruges
  • Medium: Tempera and gold leaf on parchment
  • Dimensions: 6 5/8 x 3 7/8 in. (16.8 x 9.9 cm)
  • Classification: Manuscripts and Illuminations
  • Credit Line: Robert Lehman Collection, 1975
  • Object Number: 1975.1.2469
  • Curatorial Department: The Robert Lehman Collection
More Artwork
Saint Matthew, Southern Netherlands  Southern Netherlands, Alabaster, Southern Netherlands or Northern France
Southern Netherlands
or Northern France
ca. 1450–70
Scenes from the Life of Saint Augustine of Hippo, Master of Saint Augustine  Netherlandish, Oil, gold, and silver on wood, Netherlandish
Master of Saint Augustine
ca. 1490
Holy Face, Gerard David  Netherlandish, Tempera and gold leaf on parchment that has been trimmed and laid down on thin walnut
Gerard David
ca. 1485–90
Statue: Christ, Southern Netherlands  Southern Netherlands, Alabaster, Southern Netherlands or Northern France
Southern Netherlands
or Northern France
ca. 1450–70
Book of Hours, Simon Bening  Netherlandish, Tempera, gold, and ink on parchment; modern red leather binding, Netherlandish
Simon Bening
ca. 1530–35

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