Ewer

ca. 1350–80 (ewer); ca. 1400 (mounts)
On view at The Met Fifth Avenue in Gallery 306
A document from the 1500s tells of a search ordered by Emperor Charles IV (crowned at Rome 1355-died 1378) for semiprecious stones in the mountains northwest of Prague. A distinctive type of deep-red jasper, with large inclusions of amethyst and crystal, was found. Thousands of sheets of jasper still decorate the walls of Saint Vitus Cathedral and the chapels at Karlstejn castle built under the emperor's direction. Surviving from the same period are fewer than twenty jasper vessels made for the imperial court, among them this cup and ewer. The remains of the medieval mines are now a protected site within the Czech Republic.

Artwork Details

Object Information
  • Title: Ewer
  • Date: ca. 1350–80 (ewer); ca. 1400 (mounts)
  • Culture: Bohemian
  • Medium: Jasper body, silver-gilt mounts
  • Dimensions: Overall: 13 1/4 x 6 3/4 x 5 9/16 in. (33.7 x 17.1 x 14.1 cm)
    Foot : 2 3/4 x 5 1/2 in. (7 x 14 cm)
    handle thickness: 13/16 x 7/8 in. (2 x 2.2 cm)
  • Classification: Lapidary Work-Amber
  • Credit Line: Gift of J. Pierpont Morgan, 1917
  • Object Number: 17.190.610
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Cover Image for 3185. Ewer

3185. Ewer

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NARRATOR: This covered vessel, or ewer, is made of a semiprecious stone called jasper. This deep red variety was an especially prized kind of jasper found in the Orr Mountains of the present day Czech Republic. The translucent inclusions are amethyst. Made in the late fourteenth century, this vessel was possibly used at a prince’s table. Or it may have been used in a Church to hold wine during Mass.

We do know that it was produced during the reign of Charles the IV. King of Bohemia and Holy Roman Emperor, Charles the IV found jasper particularly appealing. He used it to decorate his royal court at Prague. Curator Barbara Drake Boehm:

BARBARA DRAKE BOEHM: Charles IV was a very sophisticated man. He had been raised at the court of France, and when he went home to Bohemia to assume his throne, he set out make his capital at Prague the equivalent in Eastern Europe of a place like Rome. And so having a land that was very rich in mineral resources, he sent people out to try to find the best minerals…for the decoration of the works of art that he was commissioning. And in fact the Chapel of Saint Wenceslas, who was of course the great patron saint of Bohemia, in the Cathedral at Saint Vitus, still today is literally sheathed with sheets of jasper, almost like wallpaper. And it’s exactly the same material that you see here.

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