Illustrated Beatus manuscripts bring to life an extraordinary vision of the end of the world, as recorded by Saint John in the Apocalypse (Book of Revelation) and filtered through the lens of Beatus of Liébana, an eighth-century Asturian monk. These manuscripts are unique to medieval Spain and a testament to the pervasive artistry and intellectual milieu of monastic culture there. The leaf shown here comes from a manuscript disassembled in the 1870s.
Saint John counsels the angel of the church of Sardis, after the church had been rebuked for being spiritually lifeless: "Be watchful…observe, and do penance…He that hath an ear, let him hear what the Spirit saith to the churches." (Apoc. 3.3-6)
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Leaf from a Beatus Manuscript: the Angel of the Church of Sardis with Saint John
Date:ca. 1180
Culture:Spanish
Medium:Tempera, gold, and ink on parchment
Dimensions:Overall (folio): 17 1/2 x 11 13/16 in. (44.4 x 30 cm) Mat: 22 x 16 in. (55.9 x 40.6 cm)
Classification:Manuscripts and Illuminations
Credit Line:Purchase, The Cloisters Collection, Rogers and Harris Brisbane Dick Funds, and Joseph Pulitzer Bequest, 1991
Accession Number:1991.232.4
From the Benedictine monastery of San Pedro de Cardeña, Burgos.; Victor Martin Le Roy, Neuilly-sur-Seine ; Jean-Joseph Marquet de Vasselot, Paris ; [ Alain Moatti, Paris (sold 1991)]
New York. The Metropolitan Museum of Art. "Mirror of the Medieval World," March 9–June 1, 1999.
de Dios de la Rada y Delgado, Juan, and Juan de Malibran. Memoria que presentan al Excmo. Sr. Ministro de Fomento, dando cuenta de los trabajos practicados y adquisiciones hechas para el Museo Arqueologico Nacional. Madrid: s.n., 1871. pp. 26, 80.
Sentenach y Cabañes, Narciso. "Miniaturas notables del Museo Arqueológico Nacional." Boletín de la Sociedad Española de Excursiones 15 (December 1907). pp. 215–18.
Leprieur, Paul, André Pératé, and P. André Lemoisne. Catalogue Raisonné de la Collection Martin le Roy: Volume 5, Peintures; Miniatures et dessins. Paris: Imprimerie Durand, 1909. no. 33, pp. 131–40, fig. 31–34.
Sanders, Henry Arthur, ed. Beati in Apocalipsin libri duodecim. Papers and Monographs of the American Academy in Rome, Vol. 7. Rome: American Academy in Rome, 1930. p. xiii.
Neuss, Wilhelm. Die Apokalypse des hl. Johannes in der altspanischen und altchristlichen Bibel-Illustration (das Problem der Beatus-Handschriften). Vol. 1. Münster: Aschendorffschen Verlagsbuchhandlung, 1931. pp. 51–53.
Bordona, Jesus Domínguez, ed. Catálogo de la exposición de códices miniados españoles. Barcelona: Instituto Nacional del Libro Español, 1962. p. 55.
Bordona, Jesus Domínguez. Miniatura. Ars Hispaniae, Vol. 18. Madrid: Editorial Plus-Ultra, 1962. pp. 59–60.
Neuss, Wilhelm. "Die illustrationen der Handschrift von Gerona im Lichte der übrigen Beatus-Illustrationen." In Sancti Beati a Liebana in Apocalypsin, Codex Gerundensis: Commentary. Olten: Editions Urs Graf, 1962. p. 54.
Cid, Carlos, and Isabel Vigil. "El rastro de un ‘Beato’ en el Museo Diocesano de Gerona." Revisita de Gerona 9 (1963). p. 21.
López de Toro, José, ed. Miniatures espagnoles et flamandes dans les collections d'Espagne. Brussels: Bibliothèque Royale de Belgique, 1964. p. 16.
Luaces, Joaquín Yarza. "En Torno al Beato del Museo Arqueológico Nacional." In Archivo Español de Arte. Vol. 173. Madrid, 1971. pp. 112–14.
Eco, Umberto. Beato di Liébana: Miniature del Beato de Fernando I y Sancha (Codice B. N. Madrid Vit. 14-2). I Segni dell'uomo, Vol. 13. Parma: Franco Maria Ricci, 1973. p. 153.
Klein, Peter K. Der ältere Beatus-Kodex Vitr. 14-1 der Biblioteca Nacional zu Madrid: Studien zur Beatus-Illustration und der spanischen Buchmalerei des 10. Jahrhunderts. Vol. 1. Hildesheim and New York: Georg Olms Verlag, 1976. pp. 85, 414, 442 n. 23, 469 n. 194, 487 n. 308.
Mundo, Anscario M., and Manuel Sánchez Mariana, ed. El comentario de Beato al Apocalipsis: catálogo de los códices. Madrid: Biblioteca Nacional Spain, 1976. pp. 36–38.
Andrés, Gregorio de. "Nuevas aportaciones documentales sobre los códices Beatos." Revista de Archivos, Bibliotecas y Museos 81, no. 3 (July–September 1978). pp. 543, 545.
Sánchez Mariana, Manuel. "Los códices emilianenses que poseyó Serafín Estébanez Calderón." Revista de Archivos, Bibliotecas y Museos 81, no. 4 (October–December 1978). pp. 724–25.
Luaces, Joaquín Yarza. Arte y Arquitectura en España, 500–1250. Madrid: Cátedra, 1979. p. 285.
Yarza Luaces, Joaquín. Historia del arte hispánico: Volume 2, La edad media. 2nd ed. Madrid: Alhambra, 1982. p. 174.
Emmerson, Richard K., and Susanna Lewis. "Census and Bibliography of Medieval Manuscripts Containing Apocalypse Illustrations, ca. 800–1500: Part I." Traditio 40 (1984). no. 21, pp. 364–65.
Luaces, Joaquín Yarza. "Beatus de Girona." In Thesaurus: L'Art als Bisbats de Catalunya, 1000–1800. Barcelona: Centre Cultural de la Caixa de Pensions, 1985. pp. 29–30.
Luaces, Joaquín Yarza. "Foli solt del Beatus de Cardena." In Thesaurus: L'Art als Bisbats de Catalunya, 1000–1800. Barcelona: Centre Cultural de la Caixa de Pensions, 1985. pp. 87–88.
Revenga, Luis, ed. Los Beatos. Madrid: Biblioteca Nacional de España, Madrid, 1986. no. 16, p. 115.
Klein, Peter K. In Apocalypsin Commentarius: Manchester, the John Rylands University Library, Latin MS 8. Codices illuminati medii aevi, Vol. 16. Munich: Edition Helga Lengenfelder, 1990. pp. 12–17, 19.
Wixom, William D. "Curatorial Reports and Departmental Accessions." Annual Report of the Trustees of the Metropolitan Museum of Art 122 (July 1, 1991–June 30, 1992). p. 42.
Williams, John. "Imaginería Apocalíptica en el románico tardío español." In Actas [del] Simposio Internacional sobre 'O Pórtico da Gloria e a Arte do Seu Tempo,' Santiago de Compostela, 3-8 Outubro de 1988. Colección de difusión cultural, Vol. 6. [Santiago de Compostela]: Xunta de Galicia, 1991. pp. 372–74.
Luaces, Joaquín Yarza. "La miniatura en Galicia, León y Castilla en tiempos del Maestro Mateo." In Actas [del] Simposio Internacional sobre 'O Pórtico da Gloria e a Arte do Seu Tempo,' Santiago de Compostela, 3-8 Outubro de 1988. Colección de difusión cultural, Vol. 6. [Santiago de Compostela]: Xunta de Galicia, 1991. pp. 323–24.
Alonso Cardona, Esther. "Aproximación al Beato del Museo Arqueológico Nacional de Madrid." Boletín del Museo Arqueológico Nacional 11 (1993). pp. 63–78.
Gazette des Beaux-Arts. "La Chronique des Arts: Principales Acquisitions des Musées en 1992." Gazette des Beaux-Arts, 6th ser., 121 (March 1993). no. 203, p. 42.
Little, Charles T., ed. The Art of Medieval Spain, A.D. 500–1200. New York: The Metropolitan Museum of Art, 1993. no. 153, pp. 300–301.
Williams, John. The Illustrated Beatus: A Corpus of the Illustrations of the Commentary on the Apocalypse. Volume 1, Introduction. London: Harvey Miller Publishers, 1994. no. 21, p. 11.
Alonso Cardona, Esther. "Estructuración del Beato del Museo Arqueológico Nacional." Boletín del Museo Arqueológico Nacional 13 (1995). pp. 88–91, 94–102.
Evans, Helen C., and William D. Wixom, ed. The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843–1261. New York: The Metropolitan Museum of Art, 1997. pp. 478–79.
Luaces, Joaquín Yarza. Beato de Liébana: Manuscritos Iluminados. Barcelona: M. Moleiro Editor, 1998. pp. 234–48.
Wixom, William D., ed. Mirror of the Medieval World. New York: The Metropolitan Museum of Art, 1999. no. 92, pp. 77–80.
Franco Mata, Ángela. "El Beato de San Pedro de Cardeña: Introduccíon / The San Pedro de Cardeña Beatus: Introduction." In Beato de Liebana, Códice de San Pedro de Cardeña: Commentary. Barcelona: M. Moleiro Editor, 2001. pp. 15–22.
Franco Mata, Ángela. "Las Ilustraciones del Beato de San Pedro de Cardeña / The Illustrations in the San Pedro de Cardeña Beatus." In Beato de Liebana, Códice de San Pedro de Cardeña: Commentary. Barcelona: M. Moleiro Editor, 2001. pp. 117–273, ill. p. 162.
Klein, Peter K. "The Model for the Cardeña and Manchester Beatus." In Imágenes y promotores en el arte medieval: miscelánea en homenaje a Joaquín Yarza Luaces, edited by María Luisa Melero Moneo. Barcelona: Universitat Autónoma de Barcelona, 2001. pp. 139–51.
Beato de Liebana, Códice de San Pedro de Cardeña: Facsimile. Barcelona: M. Moleiro Editor, 2001.
Romero Pose, Eugenio. "Beato de Liébana y el Comentario al Apocalipsis / Beatus of Liébana and the Commentary on the Apocalypse." In Beato de Liebana, Códice de San Pedro de Cardeña: Commentary. Barcelona: M. Moleiro Editor, 2001. pp. 277–354.
García, Elisa Ruiz. "El Ms. 2 del Museo Arquelógico Nacional: Estudio Codicológico y Paleográfico / The Ms. 2 at the Museo Arquelógico Nacional: A Codicological and Palaeographic Study." In Beato de Liebana, Códice de San Pedro de Cardeña: Commentary. Barcelona: M. Moleiro Editor, 2001. pp. 43–114.
Sánchez Mariana, Manuel. "El Beato de San Pedro de Cardeña: Historia del Códice / The San Pedro de Cardeña Beatus: The History of the Codex." In Beato de Liebana, Códice de San Pedro de Cardeña: Commentary. Barcelona: M. Moleiro Editor, 2001. pp. 29–39.
Wixom, William D., and Margaret Lawson. "Picturing the Apocalypse: Illustrated Leaves from a Medieval Spanish Manuscript." The Metropolitan Museum of Art Bulletin, n.s., 59, no. 3 (Winter 2002). pp. 3–56, ill. p. 24.
Williams, John. The Illustrated Beatus: A Corpus of the Illustrations of the Commentary on the Apocalypse. Volume 5, The Twelfth and Thirteenth Centuries. London: Harvey Miller Publishers, 2003. no. 21, pp. 24–30, fig. 154, (listed as "Pc" in table on pp. 373–80).
Franco Mata, María Angela. "Apreciaciones sobre las ilustraciones del Beato de Cardeña." Codex aquilarensis: Cuadernos de investigación del Monasterio de Santa María la Real 20 (2004). pp. 66–83.
Little, Charles T. "Along the Pilgrimage Road: Ivories and the Role of Compostela." In Patrimonio artístico de Galicia y otros estudios: Homenaje al Prof. Dr. Serafín Moralejo Álvarez, edited by Ángela Franco Mata. Vol. 3. Santiago de Compostela: Xunta de Galicia, 2004. p. 166.
Barnet, Peter, and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. New York and New Haven: The Metropolitan Museum of Art, 2005. no. 15, pp. 42, 194.
Barnet, Peter. "Medieval Europe." In Philippe de Montebello and The Metropolitan Museum of Art: 1977–2008, edited by James R. Houghton. New York: The Metropolitan Museum of Art, 2009. p. 23.
Barnet, Peter, and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. 75th Anniversary ed. New York and New Haven: The Metropolitan Museum of Art, 2012. p. 39.
Shalem, Avinoam. Die mittelalterlichen Olifante: Volume 1, Text. Die Elfenbeinskulpturen. Berlin: Deutscher Verlag für Kunstwissenschaft, 2014. p. 177.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world, encompassing the art of the Mediterranean and Europe from the fall of Rome to the beginning of the Renaissance.