The main portal of the church of San Vicente Mártir was nearly destroyed in 1879, when the nearby tower fell. Here, eighty fragments have been used to reconstruct the monumental doorway. Some of the stones were recycled from earlier buildings. Two openings at the sides of the installation allow a glimpse of the earlier carving. The rich imagery includes biblical subjects (such as the Flight into Egypt) and moralizing subjects, as well as human heads and animals.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
23.110.56
23.110.76
23.110.42
23.110.68
23.110.52
23.110.76
23.110.82
23.110.86
23.110.87
23.110.88
23.110.89
23.110.90
23.110.91
23.110.92
23.110.93
23.110.94
23.110.96
23.110.97
23.110.98
23.110.99
23.110.100
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Reconstructed Portal
Date:early 13th century
Geography:Made in Burgos, Castile-Léon, Spain
Culture:Spanish
Medium:Limestone
Dimensions:Overall: 195 x 212 in. (495.3 x 538.5 cm)
Classification:Installations
Credit Line:Fletcher Fund, 1923
Object Number:23.110.1–.100
From the main portal of the church of San Vicente Mártir at Frías, Castile-León, Spain; [ Joseph Brummer, Paris and New York (sold 1923) ]
New York. The Cloisters Museum & Gardens. "Spanish Medieval Art," December 15, 1954–January 30, 1955.
New York. The Metropolitan Museum of Art. "Set in Stone: The Face in Medieval Culture," September 26, 2006–February 18, 2007.
Breck, Joseph. "The New Galleries of Renaissance and Medieval Art." The Metropolitan Museum of Art Bulletin 19, no. 10 (October 1924). p. 231.
Huidobro Serna, Luciano. "Moradillo de Sedano, su iglesia parroquial, monumento románico de primer orden en la provincia, III." Boletín de la Comisión Provincial de Monumentos Históricos y Artísticos de Burgos 11, no. 38 (1932). p. 257.
Rorimer, James J. "Reports of the Departments." Annual Report of the Trustees of the Metropolitan Museum of Art 69 (1938). p. 25.
Rorimer, James J., and Margaret B. Freeman. The Cloisters: The Building and the Collection of Mediaeval Art, in Fort Tryon Park. New York: The Metropolitan Museum of Art, 1938. pp. 44–45.
Anderson, Ruth Matilda. "Tocados plisados de Castilla y de León en los siglos XII y XIII: 2, continuación." Boletín de la Comisión Provincial de Monumentos y de la Institución Fernán González de la ciudad de Burgos 28, no. 109 (1949). p. 341.
Anderson, Ruth Matilda. "Tocados plisados de Castilla y de León en los siglos XII y XIII: 4, conclusión." Boletín de la Comisión Provincial de Monumentos y de la Institución Fernán González de la ciudad de Burgos 29, no. 111 (1950). p. 267, fig. 28–29.
Spanish Medieval Art: A Loan Exhibition in Honor of Dr. Walter W.S. Cook. New York: Institute of Fine Arts Alumni Association, 1954. no. 39.
Huidobro Serna, Luciano, and Gonzalo Miguel Ojeda. "Exposición de arte español en New York en homenaje al Profesor Walter W. S. Cook." Boletín de la Institución Fernán González 34, no. 130 (1955). p. 469.
Rorimer, James J. The Cloisters: The Building and the Collection of Medieval Art in Fort Tryon Park. 3rd revised ed. New York: The Metropolitan Museum of Art, 1963. pp. vii, 72–73.
Forsyth, William Holmes, and The International Confederation of Dealers in Works of Art. "Acquisitions from the Brummer Gallery." In The Grand Gallery at the Metropolitan Museum of Art: Sixth International Exhibition presented by C.I.N.O.A.. New York: The Metropolitan Museum of Art, 1974. p. 2.
Little, Charles T., ed. Set in Stone: The Face in Medieval Sculpture. New York, New Haven, and London: The Metropolitan Museum of Art, 2006. pp. 110–11, fig. 74.
Brennan, Christine E. "The Brummer Gallery and the Business of Art." Journal of the History of Collections 27, no. 3 (November 2015). p. 463.
Jung, Jacqueline E. "The Portal from San Vicente Martír in Frías: Sex, Violence, and the Comfort of Community in a Thirteenth-Century Sculpture Program at The Cloisters." In Theologisches Wissen und die Kunst: Festschrift für Martin Büchsel, edited by Rebecca Müller, Anselm Rau, and Johanna Scheel. Berlin: Gebr. Mann Verlag, 2015. pp. 369–82, fig. 1–5.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world, encompassing the art of the Mediterranean and Europe from the fall of Rome to the beginning of the Renaissance.