[Galerie Kahnweiler, Paris]; [Galerie Van Leer, Paris]; George Gershwin, New York and Los Angeles (by 1929–probably until d. 1937); Ira and Leonore S. Gershwin, Los Angeles (probably 1937–his d. 1983); Leonore S. Gershwin, Los Angeles (1983–d. 1991; her estate, 1991–93; gift to MMA)
New York. International Art Center of Roerich Museum. "Exhibition of Portraits of Artists," October 22–November 15, 1932, no. 10 (as "Kisling," lent by Mr. Geo. Gershwin).
Arts Club of Chicago. "Exhibition of the George Gershwin Collection of Modern Paintings," November 10–25, 1933, no. 15 (as "Portrait of Kisling").
Museum of Modern Art, New York. "Modern Works of Art: Fifth Anniversary Exhibition," November 20, 1934–January 20, 1935, no. 70 (as "Portrait of Kisling," lent by George Gershwin).
Museum of Modern Art, New York. "Summer Exhibition: The Museum Collection and a Private Collection on Loan," July 20–September 2, 1936, no catalogue (lent by George Gershwin).
New York. The Metropolitan Museum of Art. "Around George Gershwin," October 1, 1993–May 1994, no catalogue.
New York. The Metropolitan Museum of Art. "Recent Acquisitions: 1993–1995," July 28–September 24, 1995, no catalogue.
New York. The Metropolitan Museum of Art. "Painters in Paris: 1895–1950," March 8–December 31, 2000, extended to January 14, 2001, not in catalogue.
André Salmon. André Derain. [Paris], 1923, ill. p. 49, as "Portrait du Peintre Kissling [sic]," 1921.
Henry Botkin. Telegram to George Gershwin. May 5, 1931 [published in Ref. Mattis 2024, p. 56].
Henry Botkin. Letter to George Gershwin. May 5, 1931 [published in Ref. Mattis 2024, p. 56].
George Gershwin. Letter to Harry Botkin. May 8, 1931 [published in Ref. Mattis 2024, pp. 56–57].
Henry Botkin. Letter to George Gershwin. May 10, 1931 [published in Ref. Mattis 2024, pp. 57–58].
George Gershwin. Letter to Harry Botkin. May 19, 1931 [published in Ref. Mattis 2024, p. 58].
George Gershwin. Letter to George Pallay. May 19, 1931 [published in Ref. Mattis 2024, p. 59].
George Gershwin. Letter to Harry Botkin. June 20, 1931 [published in Ref. Mattis 2024, p. 60], describes this work as "a masterpiece of simple color".
Howard Devree. "The Galleries Present." New York Times (August 2, 1936), p. X7.
"Paintings on View at Summer Show." New York Times (July 28, 1936), p. 17.
Denys Sutton. André Derain. London, 1959, p. 36, refers to a portrait of Kisling in a private collection, Paris [our picture was then in the Gershwin collection, New York; no other Derain portraits of Kisling are listed in Refs. Kellermann 1992 or Troyat 1982].
Henri Troyat inKisling, 1891–1953. Ed. Jean Kisling. Vol. 2, Turin, 1982, pp. 37, 72.
Michel Kellermann. André Derain: Catalogue de l'œuvre peint. Vol. 2, 1915–1934. Paris, 1996, p. 133, no. 859, ill., dates it about 1921.
Olivia Mattis inGeorge Gershwin and Modern Art: A Rhapsody in Blue. Ed. Olivia Mattis. Exh. cat., Baker Museum, Naples, Fla. New York, 2024, pp. 22, 26, 30, 116, figs. 15 (in Gershwin's New York apartment), 23 (installation photo, Exh. Chicago 1933), colorpl. 20.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.