Madame Hanako (recto); Standing Man (Paul Haviland?) (verso)
Marius de Zayas (Mexican, Veracruz 1880–1961 Stamford, Connecticut)
Recto: Charcoal and graphite on paper Verso: Graphite on paper
24 1/4 x 19 in. (61.6 x 48.3 cm)
Alfred Stieglitz Collection, 1949
Not on view
the artist (to Stieglitz); Alfred Stieglitz, New York (by 1910–d. 1946; his estate, 1946–49; gift to MMA)
Mexico City. Centro Cultural Arte Contemporáneo. "Octavio Paz: Los Privilegios de la Vista," March–June 1990, no. 86.
New York. The Metropolitan Museum of Art. "Stieglitz and His Artists: Matisse to O'Keeffe," October 13, 2011–January 2, 2012, no. 227.
Camera Work no. 29 (January 1910), pl. 2.
Craig R. Bailey. "The Art of Marius de Zayas." Arts Magazine 53 (September 1978), p. 137.
Douglas Hyland. Marius de Zayas: Conjurer of Souls. Exh. cat., Spencer Museum of Art, University of Kansas. Lawrence, Kansas, 1981, pp. 27, 82.
Lisa Mintz Messinger inStieglitz and His Artists: Matisse to O'Keeffe. The Alfred Stieglitz Collection in The Metropolitan Museum of Art. Ed. Lisa Mintz Messinger. Exh. cat., The Metropolitan Museum of Art. New York, 2011, pp. 225, 287, no. 227, ill. (color, recto and verso).