This impressive head displays the faceting that Picasso first developed during his stay at Horta de Ebro, in northeastern Spain, in the summer of 1909. Although this moment in the development of Cubism is closely associated with Picasso's studies of his companion, Fernande Olivier, the short hair, strong nose, and prominent chin identify this subject as male. Indeed, it relates to a painting made the same year, Head and Shoulders of a Man (private collection).
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Inscription: Signed and dated (verso, upper left, in graphite): Picasso/ 09
[probably with Moderne Galerie (Heinrich Thannhauser), Munich, by 1913–14; sold on March 31, 1914 to Basler]; [Adolphe Basler, Paris, 1914–15; left with Stieglitz in December 1914 as collateral for a loan; upon default of loan on August 15, 1915, acquired by Stieglitz]; Alfred Stieglitz, New York (1915–d. 1946; his estate, 1946–49; gift to MMA)
Munich. Moderne Galerie Heinrich Thannhauser. "Ausstellung Pablo Picasso," February 1913, no. 101 [probably this picture].
New York. 291. "Untitled exhibition of nine works by Pablo Picasso from the collection of Adolphe Basler," January 12–26, 1915, no catalogue.
Philadelphia Museum of Art. "History of an American, Alfred Stieglitz: '291' and After, Selections from the Stieglitz Collection," July 1–November 1, 1944, no. 93.
Museum of Modern Art, New York. "Alfred Stieglitz Exhibition: His Collection," June 10–August 31, 1947, no catalogue (checklist no. 90).
Art Institute of Chicago. "Alfred Stieglitz: His Photographs and His Collection," February 2–29, 1948, no catalogue (checklist no. 21).
Art Gallery of Toronto. "Picasso," April 1949, no. 38.
Museum of Modern Art, New York. "From the Alfred Stieglitz Collection: An Extended Loan from the Metropolitan Museum of Art," May 22–August 12, 1951, no catalogue (checklist no. E.L.51.696; loan extended to May 15, 1961).
New York. The Metropolitan Museum of Art. "Drawings from the Alfred Stieglitz Collection," September 9–November 12, 1967, no catalogue (unnumbered checklist).
Los Angeles County Museum of Art. "The Cubist Epoch," December 15, 1970–February 21, 1971, no. 265.
New York. The Metropolitan Museum of Art. "The Cubist Epoch," April 9–June 7, 1971, no. 265.
Paris. Cabinet des dessins, Musée du Louvre. "Dessins français du Metropolitan Museum of Art, New York de David à Picasso," October 25, 1973–January 7, 1974, no. 71.
Canberra. Australian National Gallery. "20th Century Masters from The Metropolitan Museum of Art, New York," March 1–April 27, 1986, unnumbered cat. (p. 18).
Brisbane. Queensland Art Gallery. "20th Century Masters from The Metropolitan Museum of Art, New York," May 7–July 1, 1986, unnumbered cat.
New York. The Metropolitan Museum of Art. "Sculptors' Drawings: 1900–1935," November 10, 1994–March 26, 1995, no catalogue.
New York. The Metropolitan Museum of Art. "The Florene M. Schoenborn Bequest: 12 Artists of the School of Paris," February 11–May 4, 1997, extended to August 31, 1997, not in brochure [among 14 non-Schoenborn bequest works included in the exhibition].
Paris. Musée Picasso. "Picasso 1901–1909: Chefs d'oeuvre du Metropolitan Museum of Art, New York," October 21, 1998–January 25, 1999, unnumbered cat. (fig. 24).
New York. The Metropolitan Museum of Art. "Painters in Paris: 1895–1950," March 8–December 31, 2000, extended to January 14, 2001, not in catalogue.
National Gallery of Art, Washington D.C. "Modern Art and America: Alfred Stieglitz and His New York Galleries," January 28–April 22, 2001, unnumbered cat. (pl. 56).
New York. The Metropolitan Museum of Art. "Picasso in The Metropolitan Museum of Art," April 27–August 1, 2010, no. 49.
New York. The Metropolitan Museum of Art. "Stieglitz and His Artists: Matisse to O'Keeffe," October 13, 2011–January 2, 2012, no. 26.
George Heard Hamilton. "The Alfred Stieglitz Collection." Metropolitan Museum Journal 3 (1970), p. 380, fig. 6.
Franco Russoli and Fiorella Minervino. L'opera completa di Picasso cubista. Milan, 1972, pp. 98–99, no. 236, ill.
Ulrich Weisner et al. Zeichnungen und Collagen des Kubismus: Picasso, Braque, Gris. Exh. cat., Kunsthalle Bielefeld. Bielefeld, 1979, p. 267, pl. 51.
Jean-François Rodriguez. "Le Cafard après la fête...": Naturisme e rappel à l'ordre tra Francia e Italia nelle lettere di Louis Rouart, Eugène Montford e Adolphe Basler ad Ardengo Soffici, 1910–1932. Padua, 2001, p. 108.
Julia May Boddewyn in Michael FitzGerald. Picasso and American Art. Exh. cat., Whitney Museum of American Art. New York, 2006, pp. 329, 359, 362.
Gary Tinterow inPicasso in The Metropolitan Museum of Art. Ed. Gary Tinterow and Susan Alyson Stein. Exh. cat., The Metropolitan Museum of Art. New York, 2010, p. 5.
Lisa M. Messinger inPicasso in The Metropolitan Museum of Art. Ed. Gary Tinterow and Susan Alyson Stein. Exh. cat., The Metropolitan Museum of Art. New York, 2010, pp. 138–40, no. 49, ill. (color).
Jill Krementz. "Picasso in the Met." New York Social Diary Online. April 26, 2010.
Rachel Mustalish inPicasso in The Metropolitan Museum of Art. Ed. Gary Tinterow and Susan Alyson Stein. Exh. cat., The Metropolitan Museum of Art. New York, 2010, p. 140.
Lisa Mintz Messinger inStieglitz and His Artists: Matisse to O'Keeffe. The Alfred Stieglitz Collection in The Metropolitan Museum of Art. Ed. Lisa Mintz Messinger. Exh. cat., The Metropolitan Museum of Art. New York, 2011, pp. 55, 249, no. 26, ill. (color).
Pablo Picasso (Spanish, Malaga 1881–1973 Mougins, France)
1929
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