Mynah Bird on Plum Branch

Saien Hōsai (Xiyua Fangqi) Chinese

Not on view

A single mynah bird rests upon a flowering plum tree in this rapidly executed ink painting. In his subject matter, the artist has followed models set forth in Ming-dynasty Chinese painting. His brushwork is characterized by a spirited roughness and the liberal use of thick ink to create dynamic contrasts, which brings a remarkable sense of volume to both branch and bird. Xiyua Fangqi, known in Japan as Saien Hōsai, was a Qing-dynasty Chinese merchant and painter. He was thought to have been from either Jiangsu or Anhui Province, and to have traveled to Japan on a number of occasions beginning about the year 1772. One story says that he once drifted ashore in what is today Chiba Prefecture, in eastern Japan, and along the way to Nagasaki he saw and painted Mount Fuji. He is said to have brought the painting back to China, where it generated much interest.

Mynah Bird on Plum Branch, Saien Hōsai (Xiyua Fangqi) (1736?–?1795), Hanging scroll; ink on paper, Japan

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