This image cannot be enlarged, viewed at full screen, or downloaded.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Café Scene
Artist:Robert Blackburn (American, Summit, New Jersey 1920–2003 New York)
Date:1939
Medium:Lithograph
Edition:5/12
Dimensions:15 3/8 × 8 15/16 in. (39.1 × 22.7 cm)
Classification:Prints
Credit Line:Gift of Reba and Dave Williams, 1999
Object Number:1999.529.7
Inscription: Signed, dated, and inscribed (below image, in graphite): Cafe Scene 5/12 Blackburn—39
Riva Helfond, New York (probably by 1977–at least 1978); [Sragow Gallery, New York, until 1988; sold on July 1, 1988 to Williams]; Reba and Dave Williams, New York (1988–99; their gift to MMA)
New York. Studio Museum in Harlem. "New York/Chicago: WPA and the Black Artist," November 13, 1977–January 8, 1978, unnumbered cat. (as "Cafe Scene," ca. 1939, lent by Riva Helfond) [probably this work].
Chicago Public Library Cultural Center Exhibit Hall. "WPA and the Black Artist, Chicago and New York," March 22–April 23, 1978, unnumbered cat. (as "Cafe Scene," lent by Riva Helfond) [probably this work].
Newark Museum, held jointly at the Equitable Gallery, New York. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," December 10, 1992–February 28, 1993, no. 3.
Long Beach Museum of Art. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," June 4–August 8, 1993, no. 3.
Cambridge, England. Fitzwilliam Museum. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," October 5–December 19, 1993, no. 3.
Albany. New York State Museum. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," January 5–March 13, 1994, no. 3.
New Haven. Yale University Art Gallery. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," April 7–June 12, 1994, no. 3.
Louisville. Speed Art Museum. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," July 12–September 4, 1994, no. 3.
Philadelphia Museum of Art. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," October 9–December 4, 1994, no. 3.
Baltimore Museum of Art. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," January 4–February 26, 1995, no. 3.
Charleston. Gibbes Museum of Art. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," March 26–May 21, 1995, no. 3.
Miami Beach. Bass Museum of Art. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," June 18–August 13, 1995, no. 3.
Little Rock. Arkansas Arts Center. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," September 10–November 5, 1995, no. 3.
Mobile, Ala. Fine Arts Museum of the South. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," December 3, 1995–January 28, 1996, no. 3.
Brooklyn Museum. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," February 25–April 22, 1996, no. 3.
Art Institute of Chicago. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," May 17–July 14, 1996, no. 3.
Dallas Museum of Art. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," August 9–October 6, 1996, no. 3.
Saint Louis Art Museum. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," November 1, 1996–January 2, 1997, no. 3.
Atlanta. High Museum of Art. "Alone in a Crowd: Prints of the 1930s–1940s by African-American Artists from the Collection of Reba and Dave Williams," January 31–March 30, 1997, no. 3.
Hamilton, N. Y. Picker Art Gallery, Colgate University. "Life Impressions: 20th-Century African American Prints from The Metropolitan Museum of Art," September 10–November 4, 2001, no. 3.
College Park, Md. David C. Driskell Center. "Robert Blackburn: Passages," September 18–December 19, 2014, unnumbered cat. (p. 32).
Leslie King-Hammond inAlone in a Crowd: Prints of the 1930s–40s by African-American Artists; From the Collection of Reba and Dave Williams. Exh. cat., Newark Museum. New York, 1993, p. 16.
Mary Ann Calo inLife Impressions: 20th-Century African American Prints from The Metropolitan Museum of Art. Ed. Dewey F. Mosby. Exh. cat., Picker Art Gallery, Colgate University. Hamilton, N. Y., 2001, p. 11.
Dewey F. Mosby and Jane Seney inLife Impressions: 20th-Century African American Prints from The Metropolitan Museum of Art. Ed. Dewey F. Mosby. Exh. cat., Picker Art Gallery, Colgate University. Hamilton, N. Y., 2001, pp. 47–48, 60–61, no. 3, fig. 27.
Deborah Cullen inRobert Blackburn: Passages. Exh. cat., David C. Driskell Center. College Park, Md., 2014, pp. 29, 135, ill. p. 32 (color).
Robert Blackburn (American, Summit, New Jersey 1920–2003 New York)
1938
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.