False Door of the Royal Sealer Neferiu

Old Kingdom–First Intermediate Period
ca. 2150–2010 B.C.
On view at The Met Fifth Avenue in Gallery 103
Egyptians believed that the soul of the deceased could freely enter and exit the tomb through a "false door," which was characterized by a recessed surface with a symbolic entrance in the center. By the early Middle Kingdom, the false door design was combined with other elements on rectangular stelae. This First Intermediate Period monument exemplifies the beginning of that process. The texts inscribed on the jambs flanking the double door proclaim the owner’s good deeds and accomplishments.

Artwork Details

Object Information
  • Title: False Door of the Royal Sealer Neferiu
  • Period: Old Kingdom–First Intermediate Period
  • Dynasty: Dynasty 8–11
  • Date: ca. 2150–2010 B.C.
  • Geography: From Egypt; Probably from Northern Upper Egypt, Dendera area
  • Medium: Limestone, paint
  • Dimensions: H. 115.5 cm (45 1/2 in.); W. 67.3 cm (26 1/2 in.); D. 12.6 cm (4 15/16 in.)
  • Credit Line: Gift of J. Pierpont Morgan, 1912
  • Object Number: 12.183.8
  • Curatorial Department: Egyptian Art

Audio

Cover Image for 3275. Funerary Stela of the Royal Sealer Neferiu

3275. Funerary Stela of the Royal Sealer Neferiu

0:00
0:00

This painted limestone slab comes from the tomb of Neferiu at Dendura, in Upper Egypt. This stela is framed by a representation of a shrine constructed of reed-bundled posts with a cornice of palm fronds. Shrines of this type were sanctuaries in pre-dynastic times. They became so sacred that the main elements often reappeared in later stone architecture and as decoration of religious objects.

Here, the shrine elements served to underline Neferiu’s status as one of the venerable dead. Directly below the cornice is a representation of Neferiu seated at a table heaped with food. He sniffs at a perfume jar, and a large lotus flower bends towards him. Inscriptions enumerate thousands of offerings.

The lower part of the stela is occupied by a false door, the traditional place of communion between the dead and the living. On each side are figures of Neferiu and his beloved wife Wedjbet. On the left, Neferiu is painted yellow, a color usually reserved for pictures of women. This coloration is sometimes used for priests, but here it may be a mistake on the part of the painter. Above the figures on the left, is a text that sums up Egyptian ethical values. It begins, “I gave bread to him who was hungry and clothing to him who was naked. I ferried the stranded man in my own ferry boat.”

On the right, Neferiu addresses visitors to his tomb: “Oh you who live on Earth who love life, I nourish the great in the year of famine. I worked hard with my arm so as to endure among my descendants.”

The stela dates from the First Intermediate Period, a time just after the decline of the Old Kingdom. The Old Kingdom collapsed due to unbearable social tension and overall climatic changes that seemed to have brought droughts to Egypt. Famine occurred, and people had to struggle to feed their children and communities.

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback