Abraham Casting Out Hagar and Ishmael

After Guercino (Giovanni Francesco Barbieri) Italian

1821

Not on view

This print, after a painting of David and Goliath by Guercino, was executed by Giovita Garavaglia with Innocente Migliavacca as the intermediary draughtsman.

Artwork Details

Overview

Signatures, Inscriptions, and Markings

Provenance

Title: Abraham Casting Out Hagar and Ishmael
Artist: Samuele Jesi (Italian, Correggio 1788–1853 Florence)
Artist: After Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna)
Printer: Luigi Bardi (Italian, active Florence, 1814–43)
Date: 1821
Medium: Engraving
Dimensions: Sheet: 15 7/8 × 21 9/16 in. (40.3 × 54.7 cm)
Plate: 15 1/4 × 17 13/16 in. (38.8 × 45.3 cm)
Classification: Prints
Credit Line: Gift of Harry Shaw Newman, 1941
Object Number: 41.97.447
Curatorial Department: Drawings and Prints

More Artwork

By Luigi Bardi

In the same medium

From the same time and place

A slider containing 5 items.
Press the down key to skip to the last item.

Portrait of Pope Leo X, with Cardinals Giulio de' Medici and Ludovico de' Rossi

Multiple artists/makers

ca. 1840

Weymouth Bay, David Lucas British, Mezzotint on chine collé; proof before published state — Weymouth Bay
David Lucas
John Constable
1830

Woman Bathing (La Toilette), Mary Cassatt American, Drypoint and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro) — Woman Bathing (La Toilette)
Mary Cassatt
Monsieur LeRoy
1890–91

Landscape, Edgar Degas French, Monotype in oil colors, heightened with pastel — Landscape
Edgar Degas
1892

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.