Fragment
Not on view
This textile fragment features a pattern with a stylized fence or lattice and moonflowers (yūgao; literally, “evening faces”) of various colors against a white ground. Originally, it may have been part of a Noh theater costume.
The moonflower plays a role in chapter 4 of The Tale of Genji, “The Lady of the Evening Faces.” Collecting textile samples as a kind of visual dictionary of motifs and a resource for technical analysis was common among Western collectors in Moore’s era.
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