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Study of Medieval Armor and a Crossbow (recto); Studies of a Medieval Helmet (verso)

1825
Not on view
As an alternative to the classical past, artists of Delacroix’s generation turned to medieval history for subject matter. To convincingly convey the period and populate their scenes, they studied relevant artifacts and costume. In 1825 Delacroix had the opportunity to visit a renowned private collection of arms and armor in London, where he made this drawing based on objects dated between 1420 and 1450, as he noted at the top of the sheet.

Artwork Details

Object Information
  • Title: Study of Medieval Armor and a Crossbow (recto); Studies of a Medieval Helmet (verso)
  • Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris)
  • Date: 1825
  • Medium: Graphite
  • Dimensions: Sheet: 13 3/16 × 8 3/8 in. (33.5 × 21.2 cm)
  • Classification: Drawings
  • Credit Line: Gift from the Karen B. Cohen Collection of Eugène Delacroix, in honor of Maddox Riot Silva, 2024
  • Object Number: 2024.591.66
  • Curatorial Department: Drawings and Prints

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Studies of Horses, Eugène Delacroix French, Graphite and traces of brown ink on laid paper
Studies of Horses
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A Bearded Man, Standing, and a Classical Head, Eugène Delacroix French, Pen and brown ink on tracing paper (mounted on heavy wove paper)
A Bearded Man, Standing, and a Classical Head
Eugène Delacroix
1815–63
Les Français peints par eux-mêmes encyclopédie morale du dix-neuvième siècle. Paris, L. Curmer, 1840-1842.
Eugène Delacroix
19th century
La Pietà, Eugène Delacroix French, Etching on chine collé; second state of two
La Pietà
Multiple artists/makers
1852
Studies of a Goat, Eugène Delacroix French, Graphite on wove paper
Studies of a Goat
Eugène Delacroix
1798–1863

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