The Collection
The American Wing Ancient Near Eastern Art Arms and Armor The Michael C. Rockefeller Wing Asian Art The Cloisters The Costume Institute Drawings and Prints Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman Art Islamic Art Robert Lehman Collection The Libraries Medieval Art Musical Instruments Photographs Antonio Ratti Textile Center Modern and Contemporary Art

Apotheosis of James I, with the king seated at the bottom, an eagle below him, two angels holding a laurel above him, surrounded by putti

Lucas Vorsterman II Flemish
After Peter Paul Rubens Flemish
Publisher Frans van den Wyngaerde Flemish

ca. 1639–66

Not on view

An oval composition.

Apotheosis of James I, with the king seated at the bottom, an eagle below him, two angels holding a laurel above him, surrounded by putti, Lucas Vorsterman II (Flemish, Antwerp 1624–after 1666 Antwerp), Etching; second state of three (Hollstein) — This image cannot be enlarged, viewed at full screen, or downloaded.

Title: Apotheosis of James I, with the king seated at the bottom, an eagle below him, two angels holding a laurel above him, surrounded by putti

Artist: Lucas Vorsterman II (Flemish, Antwerp 1624–after 1666 Antwerp)

Artist: After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp)

Publisher: Frans van den Wyngaerde (Flemish, Antwerp 1614–1679 Antwerp)

Date: ca. 1639–66

Medium: Etching; second state of three (Hollstein)

Dimensions: Sheet (Trimmed): 12 1/16 × 7 15/16 in. (30.6 × 20.1 cm)

Classification: Prints

Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

Object Number: 51.501.7616

How Etchings are Made

An illustrated explainer.

The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.

The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.

Drawings and Prints at The Met

The Met's collection of drawings and prints—one of the most comprehensive and distinguished of its kind in the world—began with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880.

Visiting Sleeping Beauties: Reawakening Fashion?

Apotheosis of James I, with the king seated at the bottom, an eagle below him, two angels holding a laurel above him, surrounded by putti

Open Access

API

Artwork Details

Related Artworks

How Etchings are Made

Resources for Research

Feedback

Drawings and Prints at The Met

Visiting Sleeping Beauties: Reawakening Fashion?

Crop your artwork:

Scan your QR code:

Apotheosis of James I, with the king seated at the bottom, an eagle below him, two angels holding a laurel above him, surrounded by putti

Open Access

API

Artwork Details

Learn more about this artwork

Related Artworks

Portrait of a woman in black, with her hair covered by a headdress and a dark veil

Portrait of Doge Francesco Donato

Portrait of a man, half-length to the left

Portrait of Nicolò da Ponte, Doge of Venice

Portrait of an elderly man seated in an armchair, a young man standing at left

How Etchings are Made

Resources for Research

Feedback

Drawings and Prints at The Met