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[Classical Head]

probably 1839
Not on view
This luminous head seems to materialize before our very eyes, as if we are observing the moment in which the latent photographic image becomes visible. Nineteenth-century eyewitnesses to Hippolyte Bayard’s earliest photographs (direct positives on paper) described a similarly enchanting effect, in which hazy outlines coalesced with light and tone to form charmingly faithful, if indistinct, images. These works, which Bayard referred to as essais (tests or trials), often included statues and busts, which he frequently arranged in elaborate tableaux. In this case, he photographed the lone subject (an idealized classical head) from the front and side, as if it were a scientific specimen. The singular object emerges as a relic from photography’s origins and now distant past.

Artwork Details

Object Information
  • Title: [Classical Head]
  • Artist: Hippolyte Bayard (French, 1801–1887)
  • Date: probably 1839
  • Medium: Salted paper print
  • Dimensions: Image: 6 1/2 × 5 7/8 in. (16.5 × 15 cm)
    Mount: 13 1/2 in. × 10 13/16 in. (34.3 × 27.5 cm)
  • Classification: Photographs
  • Credit Line: The Horace W. Goldsmith Foundation Fund, through Joyce and Robert Menschel, 2019
  • Object Number: 2019.309
  • Curatorial Department: Photographs
More Artwork
[Still Life with Statuary], Hippolyte Bayard  French, Albumen silver print from glass negative
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Early 1850s
Ceramic Horn, Glazed pottery, French
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Pierrot Laughing, Nadar  French, Gelatin-coated salted paper print (vernis-cuir)
Nadar
Adrien Tournachon
Person in Photograph Jean-Charles Deburau
1855
[Windmills, Montmartre], Hippolyte Bayard  French, Salted paper print
Hippolyte Bayard
1839
Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec  French, Lithograph printed in four colors; three sheets of wove paper
Henri de Toulouse-Lautrec
Printer Affiches Américaines, Charles Lévy
1891

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