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After Ike no Taiga's “Orchid Pavilion Gathering"

Aoki Shukuya Japanese
late 18th century
Not on view
This nearly indistinguishable copy of the work on the left, executed by Ike no Taiga’s close disciple Aoki Shukuya, skillfully mirrors Taiga’s landscape and calligraphy. Shukuya’s meticulous fidelity to his mentor’s approach is apparent in the precision of each brushstroke and calligraphic flourish, showcasing his deep comprehension of the original as well as his sheer skill. The inscription in the lower-left corner and the hand-drawn seals reveal that the work is indeed a copy.

Shukuya was the first keeper of the Taigadō hall, established after Taiga’s death by his followers with the purpose of commemorating and housing their master’s works. His dedicated replication honors Taiga while emphasizing his own expertise as a custodian of his teacher’s artistic legacy.

Artwork Details

Object Information
  • 青木夙夜摸　池大雅筆　蘭亭修禊図
  • Title: After Ike no Taiga's “Orchid Pavilion Gathering"
  • Artist: Aoki Shukuya (Japanese, 1737–1802)
  • Period: Edo period (1615–1868)
  • Date: late 18th century
  • Culture: Japan
  • Medium: Hanging scroll; ink and color on paper
  • Dimensions: Image: 54 1/2 × 24 in. (138.4 × 61 cm)
    Overall with mounting: 78 1/8 × 30 11/16 in. (198.5 × 78 cm)
  • Classification: Paintings
  • Credit Line: Mary and Cheney Cowles Collection, Gift of Mary and Cheney Cowles, 2024
  • Object Number: 2024.412.13
  • Curatorial Department: Asian Art

More Artwork

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Landscape in Light Colors, Aoki Shukuya Japanese, Hanging scroll; ink and color on silk, Japan
Landscape in Light Colors
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Inscription by Murase Kotei
1799
Helmet (<i>Zukinnari Kabuto</i>), Iron, lacquer, Japanese
Helmet (Zukinnari Kabuto)
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Woods and Valleys of Mount Yu, Ni Zan Chinese, Hanging scroll; ink on paper, China
Woods and Valleys of Mount Yu
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After The Song of Peach Blossom Spring, attributed to Dong Qichang, with an inscription of Wang Wei’s poem attributed to Chen Jiru, Aoki Shukuya Japanese, Hanging scroll: ink and color on silk, Japan
After The Song of Peach Blossom Spring, attributed to Dong Qichang, with an inscription of Wang Wei’s poem attributed to Chen Jiru
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ca. 1794
Armor (<i>Gusoku</i>), Saotome Ietada Japanese, Iron, lacquer, silk, gilt copper, Japanese
Armor (Gusoku)
Armorer Helmet bowl signed Saotome Ietada
Armorer Breastplate inscribed inside, Myōchin Munesuke
16th and 18th centuries

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