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Prayer Book

ca. 1900
Not on view
This prayer book comprises a compilation of loose folios that are held together within a leather wrap-cover. This construction is characteristic of West African devotional bookmaking traditions. The text is written in the barnavi script (particular script from Borno), common in Nigeria and Chad and distinguished by bold application, round letters, and short letter-shafts. Additional characteristics of this prayer book are the decorative geometrical tables that serve to divide chapters and sections. Typical for Dala’il al-Khayrat prayer books, this example includes an illustration of the holy site of Medina, rendered in an abstract geometric style. In addition to reflecting the artistic vibrancy of West and Sub-Saharan Africa, these patterns and themes bear talismanic and other meanings that surpass the devotional function of such manuscripts.

Artwork Details

Object Information
  • Title: Prayer Book
  • Date: ca. 1900
  • Geography: Made in probably northern Nigeria, Sub-Saharan Africa
  • Medium: Ink, and opaque watercolors on paper; embossed leather cover
  • Dimensions: H. 7 in. (17.8 cm)
    W. 5 in. (12.7 cm)
    D. 1 1/14 in. (3.2 cm)
  • Classification: Codices
  • Credit Line: Purchase, Friends of Islamic Art Gifts, and funds from various donors, 2025
  • Object Number: 2025.577
  • Curatorial Department: Islamic Art
More Artwork
Dala'il al-Khayrat Prayer Book, Iron-gall ink and opaque watercolors on paper; leather case; paper-mâché front and back covers
ca. 1900–1950
Qur'an, Ink and opaque watercolor on paper; embossed leather cover
19th century
Overflap and Inside Cover of a Khamsa (Quintet) of Nizami of Ganja, Nizami, Binding: leather; embossed, gold, and color <br/>Manuscript: ink, opaque watercolor, and gold on paper
Multiple artists/makers
dated 931 AH/1524–25 CE
Notebook of Calligraphy, Ink and gold on paper with embossed leather cover
dated Muharram 1170 AH/October 1756 CE
Miscellany of Prayers and Suras from a Qu'ran, Abu Talib al-Isfahani  Iranian, Miscellany: ink and opaque watercolor on embossed colored paper <br/>Binding: pasteboard, opaque watercolor, and gold under lacquer
Calligrapher Abu Talib al-Isfahani
dated 1250 AH/1835 CE

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