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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 1,163 results
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Antoine-Émile Bourdelle, calling card
Anonymous
ca. 1884–1929
Endless knot of love
Anonymous
early 19th century
The good shepherd surrounded by lambs
Anonymous
19th century
Valentine
Anonymous
1847–70
Pasquino
Anonymous
1542
Reverse Copy of Le Commandant a Pied (The Commander on Foot), from "Les Caprices"
Anonymous
17th century
Ferdinand Hodler, calling card
Anonymous
ca. 1872–1918
Cobweb Valentine with urn of flowers
Anonymous
1822
Broadsheet with portrait of Don Miguel Hidalgo y Costilla
Anonymous
ca. 1900–10
Reverse Copy of Le Gueux Appuyé sur son Baton (The Beggar Leaning on His Cane), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century
Valentine
Anonymous
ca. 1860
Victory Loan
Anonymous
1919
Bekanntmachung
Anonymous
1914
The Sepulchre of Hadrian, from "Speculum Romanae Magnificentiae"
Anonymous
1583
Statues of the Dioscuri at the Quirinal, Rome
Anonymous
1546
Sacrifice on the Campus Martius, from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Valentine
Anonymous
1850–60
Raising of the Cross
Anonymous
1587
Teatro D'Udine Restaurato
Anonymous
1853
Fireworks display by Lorenz Müller as proof of mastership, Nuremberg 1635
Anonymous
1635
Reverse Copy of La Mendainte au Rosaire (The Female Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century
Léon Bakst, calling card
Anonymous
ca. 1893–96
Valentine
Anonymous
mid 19th–late 19th century
Wilton album, folio 98: The Virgin Mary and Christ child, seated at left in a landscape, Joseph seated at center, seen from behind, a donkey at right, seen from behind
Anonymous
17th century
Vessel with grotesque masks, griffins, and a frieze populated by a bull and men in bas-relief (reverse copy after Cherubino Alberti, in turn after Polidoro da Caravaggio)
Anonymous
ca 1550–1600
Wild Animals, from antique wall paintings, plate 2, from "Speculum Romanae Magnificentiae"
Anonymous
1547
Diana (Diana Triuia in aedibus), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Castello Sant' Angelo, from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Satyr (Satyrus in caedibus), from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Valentine
Anonymous
1880
A hurdy-gurdy player at a doorway, with a child playing the violin and other children surrounding them
Anonymous
ca. 1650–1750
Reverse Copy of the Frontispiece, from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Anonymous
17th century
Honor Flag
Anonymous
1918
The Pantheon, from "Speculum Romanae Magnificentiae"
Anonymous
16th century
Egon Schiele, calling card
Anonymous
ca. 1905–18
Bekanntmachung
Anonymous
1914
Castello San Angelo
Anonymous
16th century
Jug with baptism of Christ
Wölfgang Rössler
ca. 1680–90
The Little Angler, from "Speculum Romanae Magnificentiae"
Anonymous
1567
Wilton album, folio 54c: The Virgin Reading to the Child in a Cradle
Anonymous
1589–1600