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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 44 results
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The Entombment
Tommaso Piroli
1770–73
Plate 7: A Concert: three musicians, a man at left playing the guitar, a man at center singing and holding a glass, and a man at right playing the flute
Thomas Chambars
1764
The Musicians
Caravaggio (Michelangelo Merisi)
1597
The Musicians
Anonymous
18th century?
Saint Jerome in the Wilderness
Anonymous, Italian, Bolognese
ca. 1630
Three Apostles
Johann Friedrich Bause
1772
The Entombment
Anonymous
1630–86
Entombment, after Caravaggio, plate 25 from "Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi" (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi)
Tommaso Piroli
1764
The Incredulity of Saint Thomas, Christ at left touching the stigmata and taking Saint Thomas' hand, six other disciples behind them
John Murphy
1782–83
The Fortune Teller
Giuseppe Sforza Perini
ca. 1790
The Holy Family with the Infant Saint John the Baptist
Caravaggio (Michelangelo Merisi)
early 1600s
The Incredulity of Saint Thomas
Anonymous, Italian, 17th century
1640–60
The Virgin of Loreto
Lucas Vorsterman I
1622–28
Head of a Village Girl
Antoine Joseph Dézallier d'Argenville
1700–65
The Virgin of the Rosary, the Virgin and Child standing between three saints, one of whom holds a rosary, with five members of the laity kneeling in the foreground and a donor at right
Lucas Vorsterman I
ca. 1620–40
The Denial of Saint Peter
Caravaggio (Michelangelo Merisi)
1610
The Death of Saint Francis
Anonymous
1743–97
Christ at Emmaus
Pierre Fatoure
1609–1629
The Death of the Virgin
Simon de la Vallée
ca. 1729
The Holy Family and John the Baptist
Pierre Daret
1624–75
The Entombment
Jonas Suyderhoef
1633–86
Portrait of Alof de Wignacourt, Grand Master of the Order of Malta, and his Page
Nicolas de Larmessin III
ca. 1729
David with the Head of Goliath
Wallerant Vaillant
1635–77
Study after Caravaggio's 'The Cardsharps' with color notes
Anonymous, Italian
1600–1700
Cardsharps, plate 40 from "Schola Italica Picturae"
Giovanni Volpato
1772
Ecce Homo
Pierre François Basan
ca. 1754
The Cardsharps
Giovanni Volpato
1772
The Incredulity of Saint Thomas
Anonymous, Italian, 17th century
1640–60
The Martyrdom of Saint Ursula
Caravaggio (Michelangelo Merisi)
1610
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
Plate 24: Jacob seeing Rachel at the well, from "Recueil d'estampes d'après les tableaux des peintres les plus célèbres d'Italie, des Pays-Bas et de France"
Jacobus Coelemans
1705
Sleeping Cupid, with his head resting on his quiver and his bow in his right hand
Anonymous
18th century
Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror
Henri Simon Thomassin
1707–41
The Entombment
Tommaso Piroli
1772–1824
The Fortune Teller (Bohemiene disant la bonne avanture)
Benoît Audran II
ca. 1729
The Cardsharps
Pietro Antonio Leone Bettelini
1772
Saint Francis, kneeling in front of a crucifix and a skull
Pieter Soutman
1620–57
The Entombment
Jonas Suyderhoef
1668–86
Denial of Saint Peter
Caravaggio (Michelangelo Merisi)
1603
Sleeping Cupid, with his head resting on his quiver and his bow in his right hand
Theodor Verkruis
ca. 1729