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Plate 27 [bis]: The female personification of Justice, seated holding a pair of scales and fasces; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Plate 10: Aurora abducting Cephalus from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Plate 5: a cartouche with a blank escutcheon at top center, a chimera to either side, their bodies ending in scrollwork and dragon tails, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 22 [bis]: Two putti bearing a palm branch; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Ship Being Refitted
Stefano della Bella
1639
Title page to the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Prospettive delle Scene (sic.) della Famosissima Rapresentatione di S. Alessio fatta dall Cm.MO. Sig. Card. Barberino. . .Roma
Giulio Rospigliosi
1634
Prospettive delle Scene (sic.) della Famosissima Rapresentatione di S. Alessio fatta dall Cm.MO Sig. Card. Barberini in Roma
Giulio Rospigliosi
1634
Plate 10: a cartouche with the heads of two lions in profile to left and right in the center, two chimera heads to either side below with their mouths around empty escutcheons, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 6: view of a village with a horse trough in center, horses and houses to either side, a church in center background
François Collignon
1636–61
Plate 24 [ter]: Arion carried to safety on a dolphin; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Naval Combat
Stefano della Bella
1639
Plate 18: Four male nude figures surrounding a roundel from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Two Dancing Dwarfs
Stefano della Bella
ca. 1643
Color-Bearer
Stefano della Bella
ca. 1643
Plate 21: Apollo abducting Hyacinthus, set inside a frame flanked by two satyrs; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Plate 2: a cartouche with a child seen from the back to left and a child seen from the front to right, each playing with the head of a sheep crowned with flowers, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Cartouche with Cherub Head
Stefano della Bella
ca. 1646
Plate 4: a cartouche with the head of a cherub at top center, leaves and flowers to either side, from "Twelve cartouches" (Recueil de douze cartouches)
François Collignon
ca. 1640–45
Plate 23 [bis]: Two putti embracing each other while shaking hands; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Flute Player
Stefano della Bella
ca. 1643
Plate 25 [ter]: Diana, seated on a rock, pointing toward the pregnant nymph Callisto; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Naval Combat
Stefano della Bella
1639
Saint Peter standing in the centre surrounded by Apostles distraught at the death of Christ who is shown ascending from the tomb in the upper section
François Collignon
1650–1700
Galleys in Port
Stefano della Bella
1639
Landscape with Peasant Cottage
Stefano della Bella
ca. 1643
Plate 15: Two roundels illustrating Apollo flaying Marsyas and Boreas kidnapping Oreithya from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Well-Dressed Female Dwarf Addressed by Male Dwarf
François Collignon
ca. 1640s (?)
Plate 27: The female personification of Fortitude, holding a pillar and stroking a lion; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Plate 11: Andromeda bound to a rock; Perseus flying above on Pegasus, holding the Gorgon's head from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Plate 22: Two putti wrestling each other, one holding a torch; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
The prophecy of Basilides; the priest on Mount Carmel divines the fate of the Roman Emperor Titus at the left, while Justice points to a vision of the dead Christ at the right
Giovanni Cesare Testa
ca. 1650
An allegory with Innocent X who is seated on horsback on the right, figures represting Rome in the lowe left
François Collignon
ca.1645–55
Passengers Embark in a Launch Towards a Galley
Stefano della Bella
1639
Galleys in Port
Stefano della Bella
1639
Plate 4: Pan offering a bundle of white wool to Diana from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Plate 26: The female personification of Moderation, seated holding reins; from the 'Galeria nel Palazzo Farnese in Roma ... dipinta da Annibale Caracci'
Carlo Cesi
1657
Callot figures; a dwarf man with a spear at left walking towards the right, another dwarf man with a pegleg firing a musket at right, from "Six grotesques" (Six pièces de figures grotesques)
Agostino Mitelli II
1684
Title Page Designed for the Sale of the Series of Paysages Gravés pour Jean de Médicis, from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
François Collignon
ca. 1618