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Jupiter Fighting the Giants
John Flaxman
1780–1850
Compositions Tirées des Ouvrages, des Jours, et de la Théogonie d'Hésiode, dessinées par Jean Flaxman, R.A.P.S.
John Flaxman
1818 (?)
Theocrites Cup
John Flaxman
18th–19th century
William Pitt, Earl of Chatham
Josiah Wedgwood
late 18th century
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alghieri, Containing Hell, Purgatory and Paradise, with Quotations from the Italian and translations from the version of the Rev. H. Boyd
Dante Alighieri
1807
Compositions from the Works, Days and Theogony of Hesiod, designed by John Flaxman, R.A.
Hesiod
1817
Three Female Figures Representing Liberality, Friendship and Benevolence
John Flaxman
18th–19th century
Design for a Frieze, after a Roman Sarcophagus: The First Visit of Bacchus to Ariadne
John Flaxman
late 18th–early 19th century
Lamp
British, Etruria, Staffordshire
ca. 1780–1800
Cameo medallion
British, Etruria, Staffordshire
ca. 1800
Compositions from the Tragedies of Aeschylus
Aeschylus
1831
The Iliad of Homer, The Odyssey of Homer, Compositions from The Tragedies of Aeschylus, and The Theogony, Works and Days of Hesiod
John Flaxman
1795–1817
Anatomical Studies of the Bones and Muscles for the Use of the Artists
John Flaxman
1833
Two-handled vase with maidens from the "Dancing Hours"
Wedgwood and Bentley
ca. 1776–80
Sleep Escaping from the Wrath of Jupiter – "But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd" (Pope's Iliad, Book 14, line 293)
John Flaxman
1793
Saint Michael Overcoming Satan
Edward William Wyon
1842
Ewer
Josiah Wedgwood
19th century
Illustration for "Seven Chiefs Against Thebes" (recto); Studies of Figures (verso)
John Flaxman
ca. 1794
Peleus, Paris and Enone
John Flaxman
1780–1850
Sketch-Book, Including drawings for Hesiod: Works and Days
John Flaxman
ca. 1817
Figure Studies, after Flaxman
Eugène Delacroix
ca. 1821
The Iliad and the Odyssey
John Flaxman
1834
The Muses Watering Pegasus on Mount Helikon
John Flaxman
ca. 1780
Spy or opera glass
Josiah Wedgwood
late 18th century
Augustus, Viscount Keppel
British, Etruria, Staffordshire
ca. 1780
Carolus Linneaus
Josiah Wedgwood
ca. 1779
Peleus Seizing Thetis
John Flaxman
1780–1850
Tragedy Placing the Wreath on John Kemble, On His Retiring from the Stage
John Flaxman
18th–19th century
Diana and Nymphs
John Flaxman
1780–1850
Doctor William Buchan
British, Etruria, Staffordshire
late 18th century
Minerva receiving Holy Roman Emperor Francis II (1768–1835) (r. 1792–1804), afterwards Emperor Francis I of Austria, (r. 1804–35)
British, Etruria, Staffordshire
ca. 1792
The Sisters and Mother of Phaeton Transformed into Poplars and Cyenus into a Swan
John Flaxman
1780–1834
The Iliad and the Odyssey
John Flaxman
1834
Sheet of studies with female figure kneeling and embracing standing figure
John Flaxman
1775–1826
Diana and Two Nymphs
John Flaxman
1750–1850
Chessmen (32)
John Flaxman
early 19th century
Liberty Freeing an Enslaved Person
John Flaxman
1750–1850
La Divina Commedia di Dante Alighieri, Cioe l'Inferno, il Purgatorio, ed il Paradiso
Dante Alighieri
1802
Cupids at Play
John Flaxman
late 18th century
Plaque
Josiah Wedgwood
ca. 1790 (?)