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Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Attributed to Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Attributed to Goya (Francisco de Goya y Lucientes)
ca. 1810
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Draftsman Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Fan with leaves imitative of Goya and Watteau
Imitator of Goya (Francisco de Goya y Lucientes)
Imitator of Antoine Watteau
late 19th century
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper
Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790
Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper
Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19
The Disasters of War
Author Goya (Francisco de Goya y Lucientes)
1937
Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms
Goya (Francisco de Goya y Lucientes)
1816
Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body
Goya (Francisco de Goya y Lucientes)
1816
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull
Goya (Francisco de Goya y Lucientes)
1816
Disorderly Folly, from "The Disparates" (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Disorderly Folly, from "The Disparates" (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
Goya (Francisco de Goya y Lucientes)
1816
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816
Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)
Goya (Francisco de Goya y Lucientes)
1799
Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
Goya (Francisco de Goya y Lucientes)
1799
Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)
Goya (Francisco de Goya y Lucientes)
1799
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
Goya (Francisco de Goya y Lucientes)
1799
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)
Goya (Francisco de Goya y Lucientes)
1799
Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible), Goya (Francisco de Goya y Lucientes) Spanish, Aquatint
Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)
Goya (Francisco de Goya y Lucientes)
1799
Plate 66 from "Los Caprichos": There it goes (Allá vá eso), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Plate 66 from "Los Caprichos": There it goes (Allá vá eso)
Goya (Francisco de Goya y Lucientes)
1799
Plate 3 from "The Disasters of War" (Los Desastres de la Guerra): 'The same' (Lo mismo), Goya (Francisco de Goya y Lucientes) Spanish, Etching, lavis, drypoint, burin, burnisher
Plate 3 from "The Disasters of War" (Los Desastres de la Guerra): 'The same' (Lo mismo)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio), Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint, burin, burnisher
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
Goya (Francisco de Goya y Lucientes)
1816
Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella), Goya (Francisco de Goya y Lucientes) Spanish, Etching, lavis, drypoint, burin, burnisher
Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)
Plate 49 from "Los Caprichos": Hobgoblins (Duendecitos), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 49 from "Los Caprichos": Hobgoblins (Duendecitos)
Goya (Francisco de Goya y Lucientes)
1799
Plate 48 from "Los Caprichos": Tale-Bearers--Blasts of Wind (Soplones), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 48 from "Los Caprichos": Tale-Bearers--Blasts of Wind (Soplones)
Goya (Francisco de Goya y Lucientes)
1799
Plate 46 from "Los Caprichos": Correction (Correccion), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 46 from "Los Caprichos": Correction (Correccion)
Goya (Francisco de Goya y Lucientes)
1799
Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike
Goya (Francisco de Goya y Lucientes)
1816
If he is guilty, let him die quickly (Si es deliquente qe, muera presto), Goya (Francisco de Goya y Lucientes) Spanish, Etching
If he is guilty, let him die quickly (Si es deliquente qe, muera presto)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (printed around 1859)
Plate 5 from "Los Caprichos": Two of a kind (Tal para qual) , Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint

Plate 5 from "Los Caprichos": Two of a kind (Tal para qual)

Goya (Francisco de Goya y Lucientes)
1799
Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)
Goya (Francisco de Goya y Lucientes)
1799
Old man on a swing (Viejo columpiándose), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Old man on a swing (Viejo columpiándose)
Goya (Francisco de Goya y Lucientes)
Author Eleanor Sayre
Printer Emiliano Sorini
1824–28 (printed 1972)