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Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Attributed to Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Attributed to Goya (Francisco de Goya y Lucientes)
ca. 1810
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Draftsman Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796
Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper
Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper
Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Fan with leaves imitative of Goya and Watteau
Imitator of Goya (Francisco de Goya y Lucientes)
Imitator of Antoine Watteau
late 19th century
The Disasters of War
Author Goya (Francisco de Goya y Lucientes)
1937
'Loyalty' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
'Loyalty' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (private printing ca.1854)
Margaret of Austria on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint
Margaret of Austria on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
Sitter Margaret of Austria, Queen of Spain
1778
Blind Guitarist, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Blind Guitarist
Goya (Francisco de Goya y Lucientes)
ca. 1778
'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint on Japan paper
'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published before 1877)
A Maja standing with hands on her hips, Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint
A Maja standing with hands on her hips
Probably after Goya (Francisco de Goya y Lucientes)
19th century ?
Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra), Goya (Francisco de Goya y Lucientes) Spanish, Etching, lavis, drypoint
Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)
Goya (Francisco de Goya y Lucientes)
1810–11
Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)
Goya (Francisco de Goya y Lucientes)
1799
'Funereal Folly' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (private printing ca.1854)
Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo), Goya (Francisco de Goya y Lucientes) Spanish, Etching (before lavis is added)
Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)
Goya (Francisco de Goya y Lucientes)
ca. 1810
'Flying Folly' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint
'Flying Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (private printing ca.1854)
A charlatan extracting a tooth from a patient's mouth, figure in the foreground vomiting; folio 68 (verso) from the Madrid Album "B" , Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, scraper, carbon black washes

A charlatan extracting a tooth from a patient's mouth, figure in the foreground vomiting; folio 68 (verso) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes)
1796–98
They are getting drunk; folio 67 (recto) from the Madrid Album "B", Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, scraper, carbon black washes
They are getting drunk; folio 67 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98
Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album "B", Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black washes
Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98
Woman throwing a tantrum and pulling her hair; folio 94 (verso) from the Madrid Album "B", Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black washes, touches of pen and brown ink
Woman throwing a tantrum and pulling her hair; folio 94 (verso) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98
Monks in an interior (a cell?); page 33 from the "Images of Spain" Album (F), Goya (Francisco de Goya y Lucientes) Spanish, Brush and brown wash
Monks in an interior (a cell?); page 33 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
A man and a woman riding a mule; page 36 from the "Images of Spain" Album (F), Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, gray washes, over touches or red chalk
A man and a woman riding a mule; page 36 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Rabbit hunter with a Retriever; folio 103 from the "Images of Spain" Album (F), Goya (Francisco de Goya y Lucientes) Spanish, Brush and brown wash
Rabbit hunter with a Retriever; folio 103 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
A partly naked woman seated by a stream; page 32 from the "Images of Spain" Album (F), Goya (Francisco de Goya y Lucientes) Spanish, Brush, bistre and wash, traces of red chalk
A partly naked woman seated by a stream; page 32 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
He Wakes Up Kicking; a man on the floor kicking his legs after waking from a nightmare; page 13 from the "Witches and Old Women" Album (D), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black and gray ink and wash, touches of black chalk, scraper
He Wakes Up Kicking; a man on the floor kicking his legs after waking from a nightmare; page 13 from the "Witches and Old Women" Album (D)
Goya (Francisco de Goya y Lucientes)
ca. 1819–23
An old man delousing a boy accompanied by three figures, a cat in the foreground; page 40 from the "Images of Spain" Album (F), Goya (Francisco de Goya y Lucientes) Spanish, Brush, brown wash
An old man delousing a boy accompanied by three figures, a cat in the foreground; page 40 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
Tantalus (Tantalo), plate 9 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Tantalus (Tantalo), plate 9 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
A man stabbing another; folio 53 from the "Images of Spain" Album (F), Goya (Francisco de Goya y Lucientes) Spanish, Brush and gray and brown washes
A man stabbing another; folio 53 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20
A man on the ground drinking from a wine skin; folio 63 from the "Images of Spain" Album (F), Goya (Francisco de Goya y Lucientes) Spanish, Brush and brown wash over traces of black chalk
A man on the ground drinking from a wine skin; folio 63 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20