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Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Attributed to Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Attributed to Goya (Francisco de Goya y Lucientes)
ca. 1810
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Draftsman Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Fan with leaves imitative of Goya and Watteau
Imitator of Goya (Francisco de Goya y Lucientes)
Imitator of Antoine Watteau
late 19th century
Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper
Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper
Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790
The Disasters of War
Author Goya (Francisco de Goya y Lucientes)
1937
Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin
Charles V spearing a bull in the ring at Valladolid, plate 10 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes)
1816
The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia", Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint
The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes)
1816
A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"
Goya (Francisco de Goya y Lucientes)
1816
A bad night (Mala noche), plate 36 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
A bad night (Mala noche), plate 36 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
Out hunting for teeth (A caza des dientes), plate 12 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Tantalus (Tantalo), plate 9 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Tantalus (Tantalo), plate 9 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, burin
A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos", Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint
Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"
Goya (Francisco de Goya y Lucientes)
1799
Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
Goya (Francisco de Goya y Lucientes)
1799
The Caprices (Los Caprichos), plates 1-80, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint, and burin
The Caprices (Los Caprichos), plates 1-80
Goya (Francisco de Goya y Lucientes)
1799
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burin
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)
Goya (Francisco de Goya y Lucientes)
Publisher Gazette des Beaux-Arts
ca. 1815 (published after 1867)
'Barbarous Entertainment', a blind guitarist on the horns of a bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint on laid paper
'Barbarous Entertainment', a blind guitarist on the horns of a bull
Goya (Francisco de Goya y Lucientes)
1800–1804 (published 1828–67)
'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto), Goya (Francisco de Goya y Lucientes) Spanish, Etching
'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (published 1859)
'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black and gray ink and wash, touches of black chalk, on laid paper
'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)
Goya (Francisco de Goya y Lucientes)
ca. 1819–23
'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B), Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint on Japan paper
'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published before 1877)
Garroted Man, Goya (Francisco de Goya y Lucientes) Spanish, Etching, printed in blue (working proof)
Garroted Man
Goya (Francisco de Goya y Lucientes)
ca. 1775–78
A picador caught by a bull, from the "Bulls of Bordeaux", Goya (Francisco de Goya y Lucientes) Spanish, Crayon lithograph and scraper
A picador caught by a bull, from the "Bulls of Bordeaux"
Goya (Francisco de Goya y Lucientes)
Publisher Cyprien Charles Marie Nicolas Gaulon
1825
Spanish Entertainment from the 'Bulls of Bordeaux', Goya (Francisco de Goya y Lucientes) Spanish, Lithograph
Spanish Entertainment from the 'Bulls of Bordeaux'
Goya (Francisco de Goya y Lucientes)
Publisher Cyprien Charles Marie Nicolas Gaulon
1825
Bullfight in a divided ring, from the 'Bulls of Bordeaux', Goya (Francisco de Goya y Lucientes) Spanish, Lithograph
Bullfight in a divided ring, from the 'Bulls of Bordeaux'
Goya (Francisco de Goya y Lucientes)
Publisher Cyprien Charles Marie Nicolas Gaulon
1825
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint, burin, and burnishing
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816
Goya (Francisco de Goya y Lucientes)
1816
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published between 1854–63)
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published ca. 1848)
'Loyalty' from the 'Disparates' (Follies / Irrationalities), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint
'Loyalty' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (private printing ca.1854)
Margaret of Austria on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint
Margaret of Austria on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
Sitter Margaret of Austria, Queen of Spain
1778

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