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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes. 
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  • Objects with changed or unknown ownership in continental Europe between 1933-1945.

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Crown of Cornflowers, from "The Complete Works of Béranger"
J. J. Grandville
1836
Nebuchadnezzar, from "The Complete Works of Béranger"
J. J. Grandville
1836
Hold on to me, I am telling my witness..., from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Journey for Eternity, No. 2
J. J. Grandville
ca. 1839
Le Livre des Enfants; Comtes de Fees
Amable Tastu
1836–38
Sir, I offer you my respects and my daughter, from "Metamorphoses of the Day"
J. J. Grandville
1829
Fables
C. G. Sourdille de Lavalette
1847
Orangutans, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Son of the Pope, from "The Complete Works of Béranger"
J. J. Grandville
1836
Having said that, this poor invalid gives us a curtsy, and goes hobbling off, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Album des bêtes à l'usage des gens d'esprit
J. J. Grandville
1864
Six drawings for illustrations in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846
Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846
Un Autre Monde. Transformations, visions, incarnations…et autres choses
J. J. Grandville
1844
Louis XI, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Suspended Congress
J. J. Grandville
ca. 1829
The further we go, the less we penetrate the horrible mystery of which the unfortunate toad was a victim, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Jeanne, the Redhead, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Barbaric Holy Alliance, from "The Complete Works of Béranger"
J. J. Grandville
1836
Man in a Nightshirt Reaching for a Bottle Labeled "Fountain of Youth"
J. J. Grandville
1803–47
The first show that struck me was the wonderful activity of these people, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
He tells us: don't cry, Act!, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
The Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846
The Censor, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Fiddler of Meudon, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Song of the Cossack, from "The Complete Works of Béranger"
J. J. Grandville
1836
Thé & Café, from "Les Fleurs Animées"
J. J. Grandville
1847
Will-o'-the-wisp, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Boxers, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Broken Violin, from "The Complete Works of Béranger"
J. J. Grandville
1836
Journey for Eternity, No. 6
J. J. Grandville
ca. 1839
The Flowers Personified
Nehemiah Cleaveland Esq.
1847
Histoire de l'Imprimerie par les Monuments
J. J. Grandville
1840
Robin, the Friend, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Potbellied Man, from "The Complete Works of Béranger"
J. J. Grandville
1836
We will be at your door at noon without fail, from "Little Miseries of Human Life"
J. J. Grandville
1843
Ugliness and Beauty, from "The Complete Works of Béranger"
J. J. Grandville
1836
His son, who looked like him in every way ..., from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Animal Kingdom: Natural History Cabinet (Règne animal: Cabinet d'histoire naturelle), from La Caricature, plates 265 and 266
J. J. Grandville
April 18, 1833