ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes. 
        <em>API</em>Public domain data for this object can also be accessed using the Met's
    <a target="_new" href="https://metmuseum.github.io/">Open Access API</a>

  • Objects with changed or unknown ownership in continental Europe between 1933-1945.

        <a href="/about-the-met/policies-and-documents/provenance-research-project">Learn more</a>
Showing 355 results
Sort by:
Les Petites Misères de la Vie Humaine
J. J. Grandville
1843–46
Nebuchadnezzar, from "The Complete Works of Béranger"
J. J. Grandville
1836
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846
The Son of the Pope, from "The Complete Works of Béranger"
J. J. Grandville
1836
Types Modernes
J. J. Grandville
1835
The occupations of my contemplative life were very simple, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Journey for Eternity, No. 6
J. J. Grandville
ca. 1839
The Season for Destroying the Pests and Sowing New Seed
J. J. Grandville
January 1833
The Tombs of July, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Child of Good Breeding, from "The Complete Works of Béranger"
J. J. Grandville
1836
Thé & Café, from "Les Fleurs Animées"
J. J. Grandville
1847
Caricature from La Caricature (Journal), No. 167
J. J. Grandville
19th century
What's that noise? and what does this scoundrel want?, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
My Burial, from "The Complete Works of Béranger"
J. J. Grandville
1836
Journey for Eternity, No. 3
J. J. Grandville
ca. 1839
The Marquis of Carabas, from "The Complete Works of Béranger"
J. J. Grandville
1836
Tableau de Paris, Ouvrage illustre de quinze cents gravures, Vol. I
Edward Texier
1852–53
A whirlwind of smoke and ashes seizes the air you breathe, from "Little Miseries of Human Life"
J. J. Grandville
1843
Perveche Desséchée, from "Les Fleurs Animées"
J. J. Grandville
1847
The Beautiful World of the Tuileries, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
She responded to my protests and oaths with a tone of mockery so cold that I swore to die, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
The Parsley Bouquet
J. J. Grandville
1832
The Guardian Angel, from "The Complete Works of Béranger"
J. J. Grandville
1836
Will-o'-the-wisp, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Hunt, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Keys to Paradise, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Poor Putti, from "The Complete Works of Béranger"
J. J. Grandville
1836
Poniatowski, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Boxers, from "The Complete Works of Béranger"
J. J. Grandville
1836
I was in too much need of an omnibus, but as soon as it starts raining, they all seem to disappear as if by magic, from "Little Miseries of Human Life"
J. J. Grandville
1843
Oeuvres Complete de Béranger
Pierre Jean de Béranger
1836
Now, I understand the mother wolf of Rome, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Les Fleurs Animées, Title Page
J. J. Grandville
1847
Ugliness and Beauty, from "The Complete Works of Béranger"
J. J. Grandville
1836
The Chameleon declares that he is happy and proud to be, as always, of the same opinion as everyone, from "Scenes from the Private and Public Life of Animals"
J. J. Grandville
ca. 1837–47
Jérôme Paturot à la recherche d'une position sociale
Louis Reybaud
1846
Journey for Eternity, No. 4
J. J. Grandville
ca. 1839
Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846
J. J. Grandville
ca. 1846
Musique des chansons de Béranger; Airs notées anciens et modernes
J. J. Grandville
1861
Plate with a scene from Métamorphoses du Jour (plate 3)
Creil
ca. 1830–40