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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

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Summer
Jean Couvay
17th century

St. Charlemagne and St. Louis
Grégoire Huret
17th century

The Resurrection, from The Passion of Christ, plate 24
Grégoire Huret
1664

Taste
Gilles Rousselet
17th century

Allegorial Composition with the Coat of Arms of Cardinal Richelieu and Charity
Grégoire Huret
17th century

Taste
François Ragot
17th century

Holy Family with Young St. John the Baptist
Grégoire Huret
17th century

Christ on the Cross, from The Passion of Christ, plate 21
Grégoire Huret
1664

Mary, Queen of Scots
E. Bocquet
February 1, 1807

The Last Judgment, from The Passion of Christ, plate 32
Grégoire Huret
1664

Frontispiece for Exercises de Devotion sur la Vie de Nostre Seigneur Iesus-Christ [...]
Grégoire Huret
1655

The Savior
Grégoire Huret
17th century

Rhetoric: a young woman standing in a decorated interior with a caduceus in her right hand and a closed fan in her left hand, from "The liberal arts" (Les arts liberaux)
Gilles Rousselet
1633–35

Christ on the Cross with St. Mary and St. John, from The Passion of Christ, plate 19
Grégoire Huret
1664

The Palace of Faculties of the Soul (Le Palais des Facultes de l'Ame)
Jean Couvay
17th century

Christ Taken Prisoner in the Garden, from The Passion of Christ, plate 8
Grégoire Huret
1664

Design for a Frontispiece: A Man Guiding a Crowned Woman and her Attendants to the Entrance of a Palace
Grégoire Huret
ca. 1640–60

Frontispiece for Vindicae Predestinationis et Gratiae
Grégoire Huret
1650

Rainauld d'Este, Cardinal Évêque de Reggio
Grégoire Huret
17th century

Dialectic: a young woman standing in a decorated interior and touching her right index finger to her left middle finger in a counting gesture, at her feet is a toad seated on a stack of books, from "The liberal arts" (Les arts liberaux)
Gilles Rousselet
1633–35

Pierre Armand du Cambout de Coslin, évêque d'Orléans
Grégoire Huret
1655

The Entombment, from The Passion of Christ, plate 23
Grégoire Huret
1664

Virgin Helps Louis XIII to Expel the Vices
Grégoire Huret
17th century

The Reformed Woman
Jean Couvay
17th century

The Ascension of Christ, from The Passion of Christ, plate 31
Grégoire Huret
1664

Winter
Gilles Rousselet
17th century

Marguerite de Montmorency, duchesse de Ventadour
Grégoire Huret
17th century

Minerva armed with a shield and lance attacking three nearly prone figures
Grégoire Huret
17th century

The Last Judgment, from The Passion of Christ, plate 32
Grégoire Huret
1664

The Savior with the Globe in his Hand
Grégoire Huret
17th century

St. John the Baptist
Grégoire Huret
17th century

Christ on the Cross
Grégoire Huret
17th century

Allegorial Composition with Figures Working According to an Architectural Plan
Grégoire Huret
17th century

Traicté des cinq ordres d'architecture, desquels se sont servy les anciens. Traduit du Palladio. Augmenté de nouvelles inventions pour l'art de bien bastir par le Sr. le Muet

Andrea Palladio

1647

Le Soleil Au Signe du Lyon
Jacques Roussin, Lyon
1623

Mary, Queen of Scots
Grégoire Huret
1621–70

Music
Gilles Rousselet
17th century

Christ and his Disciples
Grégoire Huret
17th century

The coat of arms of Claude de Rueil (ca.1581-1649), Bishop of Bayonne, later Bishop of Angers
Jean Couvay
17th century

Arms of the Ludovisi Family Surrounded by Four Allegorical Figures
Jean Couvay
17th century